Calamine vs Pediment
Calamine (Farrow & Ball) and Pediment (Sherwin-Williams) come from different manufacturers. Calamine reads as pink-red, while Pediment reads as greige-grey — two distinct hue families, not close cousins. The 6-point LRV gap — 68 for Calamine vs 61 for Pediment — means Calamine will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 6.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Calamine vs Pediment in Real Spaces
3 real rooms side by side. Calamine and Pediment are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Calamine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Calamine gives the walls a little more lift.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Calamine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Calamine vs Pediment Simulated Comparison
5 simulated room previews — drag the slider on each to see Calamine on one side and Pediment on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Calamine comparisons
See how Calamine stacks up against other well-photographed colors across different brands and tones.



At LRV 83 vs 68, White Dove is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.



Calamine reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.



Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.



A 10-point LRV gap (68 vs 58) makes Calamine the marginally brighter of the two.



At LRV 68 vs 27, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.



At LRV 68 vs 55, Calamine is decisively the brighter choice.



At LRV 68 vs 44, Calamine is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.



Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.



A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



At LRV 68 vs 45, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.



Calamine reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.



Calamine reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.



Calamine reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.



Just Walnut reads slightly lighter (LRV 72 vs 68), a gap that shows most in low-lit rooms.

































