Cromarty vs Mizzle
Both from Farrow & Ball's palette. Cromarty reads as greige-grey, while Mizzle reads as grey — two distinct hue families, not close cousins. Cromarty (LRV 60) reflects noticeably more light than Mizzle (LRV 52), a difference of 8 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 4.8 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cromarty vs Mizzle in Real Spaces
7 real rooms side by side. Cromarty and Mizzle are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Cromarty will make the room feel meaningfully brighter than Mizzle would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Cromarty reflects noticeably more light off the walls, making the space read more open than Mizzle.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Cromarty returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Cromarty reflects noticeably more light off the walls, making the space read more open than Mizzle.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Cromarty reflects noticeably more light off the walls, making the space read more open than Mizzle.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Cromarty will make the room feel meaningfully brighter than Mizzle would.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Cromarty reflects noticeably more light off the walls, making the space read more open than Mizzle.
Color Details
Cromarty vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Cromarty on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cromarty comparisons
See how Cromarty stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 60), opening up a space where Cromarty encloses it.
A 8-point LRV gap (60 vs 52) makes Cromarty the marginally brighter of the two.
At LRV 60 vs 30, Cromarty is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Cromarty reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.
At LRV 60 vs 43, Cromarty is decisively the brighter choice.
Cromarty reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Cromarty reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 60, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Cromarty encloses it.
Cromarty reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.
Cromarty reflects far more light (LRV 60 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Cromarty reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.
Cromarty reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 60 vs 31, Cromarty is decisively the brighter choice.
At LRV 60 vs 7, Cromarty is decisively the brighter choice.