Dimpse vs Oxford River
Dimpse (Farrow & Ball) and Oxford River (Jotun) come from different manufacturers. Hue-wise, Dimpse belongs to the greige-grey family and Oxford River to the grey family. The 3-point LRV gap — 68 for Dimpse vs 65 for Oxford River — means Dimpse will open up a space more effectively. Where Dimpse leans warm, Oxford River reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.6 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dimpse vs Oxford River in Real Spaces
2 real rooms side by side. Dimpse and Oxford River are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Dimpse brings more warmth to the space, while Oxford River keeps things cooler and crisper.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Oxford River reads more restrained here, while Dimpse adds a sense of enclosure and warmth.
Color Details
Dimpse vs Oxford River Simulated Comparison
5 simulated room previews — drag the slider on each to see Dimpse on one side and Oxford River on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dimpse comparisons
See how Dimpse stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Dimpse reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Dimpse reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Dimpse the marginally brighter of the two.
At LRV 68 vs 27, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Dimpse is decisively the brighter choice.
At LRV 68 vs 44, Dimpse is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Dimpse encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
At LRV 68 vs 45, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Dimpse reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Dimpse reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Dimpse reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.