Dimpse vs S 1500-N
Where Dimpse belongs to Farrow & Ball's range, S 1500-N is a NCS color. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. Dimpse (LRV 68) reflects noticeably more light than S 1500-N (LRV 64), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.5, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dimpse vs S 1500-N in Real Spaces
3 real rooms side by side. Dimpse and S 1500-N are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Dimpse gives the walls a little more lift.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Dimpse has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Dimpse reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Dimpse vs S 1500-N Simulated Comparison
5 simulated room previews — drag the slider on each to see Dimpse on one side and S 1500-N on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dimpse comparisons
See how Dimpse stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Dimpse reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Dimpse reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Dimpse the marginally brighter of the two.
At LRV 68 vs 27, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Dimpse is decisively the brighter choice.
At LRV 68 vs 44, Dimpse is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Dimpse encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
At LRV 68 vs 45, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Dimpse reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Dimpse reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Dimpse reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.