Dimpse vs Fleur De Sel
Dimpse is a Farrow & Ball color while Fleur De Sel comes from Sherwin-Williams. Dimpse reads as greige-grey, while Fleur De Sel reads as grey — two distinct hue families, not close cousins. At LRV 72 vs 68, Fleur De Sel will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. The tonal difference — Dimpse's warm character against Fleur De Sel's neutral — becomes most visible against white trim or in morning light. With a ΔE of 1.9, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dimpse vs Fleur De Sel in Real Spaces
2 real rooms side by side. Dimpse and Fleur De Sel are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Fleur De Sel has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Fleur De Sel gives the walls a little more lift.
Color Details
Dimpse vs Fleur De Sel Simulated Comparison
5 simulated room previews — drag the slider on each to see Dimpse on one side and Fleur De Sel on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dimpse comparisons
See how Dimpse stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Dimpse reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Dimpse reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Dimpse the marginally brighter of the two.
At LRV 68 vs 27, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Dimpse is decisively the brighter choice.
At LRV 68 vs 44, Dimpse is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Dimpse encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Dimpse is decisively the brighter choice.
At LRV 68 vs 45, Dimpse is decisively the brighter choice.
Dimpse reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.