
Green Smoke vs Pewter Green
Green Smoke is a Farrow & Ball color while Pewter Green comes from Sherwin-Williams. These are both green-greys, so the question isn't which hue to choose — it's where within green-grey to land. At LRV 19 vs 12, Green Smoke will read as the brighter of the two — a 7-point gap that matters most in north-facing or low-light rooms. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 10.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 9 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Green Smoke vs Pewter Green in Real Spaces
9 real rooms side by side. Seeing Green Smoke and Pewter Green in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Green Smoke has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Green Smoke gives the walls a little more lift.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — Green Smoke gives the walls a little more lift.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Green Smoke reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Green Smoke gives the walls a little more lift.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Green Smoke reads slightly lighter here — a subtle but real difference in how open the space feels.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — Green Smoke gives the walls a little more lift.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Green Smoke has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The brightness difference is modest but present — Green Smoke gives the walls a little more lift.
Color Details
Green Smoke vs Pewter Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Green Smoke on one side and Pewter Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Green Smoke comparisons
See how Green Smoke stacks up against other well-photographed colors across different brands and tones.



At LRV 69 vs 19, Ammonite is decisively the brighter choice.



White Dove reflects far more light (LRV 83 vs 19), opening up a space where Green Smoke encloses it.



Green Smoke reflects far more light (LRV 19 vs 6), opening up a space where Iron Ore encloses it.



At LRV 52 vs 19, Purbeck Stone is decisively the brighter choice.



A 11-point LRV gap (30 vs 19) makes Evergreen Fog the marginally brighter of the two.



Mizzle reflects far more light (LRV 52 vs 19), opening up a space where Green Smoke encloses it.



At LRV 60 vs 19, Agreeable Gray is decisively the brighter choice.



Accessible Beige reflects far more light (LRV 58 vs 19), opening up a space where Green Smoke encloses it.



Denim Drift reads slightly lighter (LRV 27 vs 19), a gap that shows most in low-lit rooms.



At LRV 43 vs 19, French Gray is decisively the brighter choice.



At LRV 19 vs 4, Green Smoke is decisively the brighter choice.



Tranquil Dawn reflects far more light (LRV 55 vs 19), opening up a space where Green Smoke encloses it.



Green Smoke reads slightly lighter (LRV 19 vs 13), a gap that shows most in low-lit rooms.



Hardwick White reflects far more light (LRV 44 vs 19), opening up a space where Green Smoke encloses it.



At LRV 84 vs 19, Pure White is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 21 vs 19), so neither reads brighter in a room.



Balboa Mist reflects far more light (LRV 66 vs 19), opening up a space where Green Smoke encloses it.



Shoji White reflects far more light (LRV 74 vs 19), opening up a space where Green Smoke encloses it.



Snowbound reflects far more light (LRV 83 vs 19), opening up a space where Green Smoke encloses it.



At LRV 51 vs 19, Pigeon is decisively the brighter choice.



Green Smoke reads slightly lighter (LRV 19 vs 8), a gap that shows most in low-lit rooms.



Skimming Stone reflects far more light (LRV 68 vs 19), opening up a space where Green Smoke encloses it.



At LRV 41 vs 19, Dix Blue is decisively the brighter choice.



Green Smoke reads slightly lighter (LRV 19 vs 12), a gap that shows most in low-lit rooms.



Saybrook Sage reflects far more light (LRV 45 vs 19), opening up a space where Green Smoke encloses it.



At LRV 31 vs 19, Pale Green is decisively the brighter choice.



A 12-point LRV gap (19 vs 7) makes Green Smoke the marginally brighter of the two.






























