Hardwick White vs Connected Gray
Where Hardwick White belongs to Farrow & Ball's range, Connected Gray is a Sherwin-Williams color. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. Hardwick White (LRV 44) reflects noticeably more light than Connected Gray (LRV 23), a difference of 21 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 16.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Hardwick White vs Connected Gray in Real Spaces
6 real rooms side by side. Seeing Hardwick White and Connected Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Hardwick White will make the room feel meaningfully brighter than Connected Gray would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Hardwick White reflects noticeably more light off the walls, making the space read more open than Connected Gray.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Hardwick White reflects noticeably more light off the walls, making the space read more open than Connected Gray.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Hardwick White reflects noticeably more light off the walls, making the space read more open than Connected Gray.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Hardwick White will make the room feel meaningfully brighter than Connected Gray would.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Hardwick White reflects noticeably more light off the walls, making the space read more open than Connected Gray.
Color Details
Hardwick White vs Connected Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Hardwick White on one side and Connected Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Hardwick White comparisons
See how Hardwick White stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 44), opening up a space where Hardwick White encloses it.
At LRV 69 vs 44, Ammonite is decisively the brighter choice.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where Iron Ore encloses it.
A 8-point LRV gap (52 vs 44) makes Purbeck Stone the marginally brighter of the two.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 44), a gap that shows most in low-lit rooms.
At LRV 60 vs 44, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.
Hardwick White reflects far more light (LRV 44 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 44 vs 43), so neither reads brighter in a room.
At LRV 44 vs 4, Hardwick White is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Bancha encloses it.
At LRV 84 vs 44, Pure White is decisively the brighter choice.
At LRV 44 vs 21, Hardwick White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 44), opening up a space where Hardwick White encloses it.
Shoji White reflects far more light (LRV 74 vs 44), opening up a space where Hardwick White encloses it.
Snowbound reflects far more light (LRV 83 vs 44), opening up a space where Hardwick White encloses it.
Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 44), opening up a space where Hardwick White encloses it.
Their light reflectance is nearly identical (LRV 44 vs 41), so neither reads brighter in a room.
At LRV 68 vs 44, Calamine is decisively the brighter choice.
At LRV 44 vs 25, Hardwick White is decisively the brighter choice.
Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Vintage Vogue encloses it.
With LRVs of 45 and 44, the two reflect almost the same amount of light.
At LRV 44 vs 31, Hardwick White is decisively the brighter choice.
At LRV 44 vs 7, Hardwick White is decisively the brighter choice.
At LRV 44 vs 24, Hardwick White is decisively the brighter choice.
At LRV 57 vs 44, Guilford Green is decisively the brighter choice.
At LRV 72 vs 44, Just Walnut is decisively the brighter choice.