James White vs Accessible Beige

Where James White belongs to Farrow & Ball's range, Accessible Beige is a Sherwin-Williams color. James White reads as beige-white, while Accessible Beige reads as beige-greige — two distinct hue families, not close cousins. James White (LRV 81) reflects noticeably more light than Accessible Beige (LRV 58), a difference of 23 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 11.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

James White vs Accessible Beige in Real Spaces

4 real rooms side by side. Seeing James White and Accessible Beige in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that James White will make the room feel meaningfully brighter than Accessible Beige would.

James WhiteFarrow and Ball James White 2010 living room for kidsroom

@hemptonhouse

Accessible BeigeAccessible Beige SW 7036 living room

@mybudgetrecipes

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. James White reflects noticeably more light off the walls, making the space read more open than Accessible Beige.

James WhiteStylish bedroom paint color James White Farrow and Ball

@the_flint_house

Accessible BeigeBedroom painted in Sherwin-Williams Accessible Beige

@mybudgetrecipes

Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. James White reflects noticeably more light off the walls, making the space read more open than Accessible Beige.

James WhiteLarge kitchen with James White Farrow and Ball colour

@goodchild_decorating

Accessible BeigeSherwin Williams Accessible Beige kitchen

@mybudgetrecipes

Kitchen Cabinets

Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. James White reflects noticeably more light off the walls, making the space read more open than Accessible Beige.

James WhiteSage kitchen cabinets with James White color by Farrow and Ball

@no.6.vc

Accessible BeigeKitchen cabinets painted in Sherwin-Williams Accessible Beige

@homeimprovementdude

Color Details

James White
Farrow & Ball · 2010
Hex#ede9d8
LRV80.8
BrandFarrow & Ball
Number2010
Undertone
TemperatureWarm
BrightnessLight
Accessible Beige
Sherwin-Williams · 7036
Hex#D1C7B8
LRV57.7
BrandSherwin-Williams
Number7036
Undertone
TemperatureWarm
BrightnessLight

James White vs Accessible Beige Simulated Comparison

5 simulated room previews — drag the slider on each to see James White on one side and Accessible Beige on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More James White comparisons

See how James White stacks up against other well-photographed colors across different brands and tones.

White Dove
James White
White Dove
James White
Farrow & Ball
James White
2010 · LRV 81

Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.

Ammonite
James White
Ammonite
James White
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
James White
2010 · LRV 81

James White reads slightly lighter (LRV 81 vs 69), a gap that shows most in low-lit rooms.

James White
Iron Ore
James White
Iron Ore
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 6, James White is decisively the brighter choice.

James White
Purbeck Stone
James White
Purbeck Stone
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 52), opening up a space where Purbeck Stone encloses it.

James White
Evergreen Fog
James White
Evergreen Fog
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 30), opening up a space where Evergreen Fog encloses it.

James White
Mizzle
James White
Mizzle
Farrow & Ball
James White
2010 · LRV 81
Farrow & Ball
Mizzle
LRV 52

At LRV 81 vs 52, James White is decisively the brighter choice.

James White
Agreeable Gray
James White
Agreeable Gray
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 60), opening up a space where Agreeable Gray encloses it.

Denim Drift
James White
Denim Drift
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 27, James White is decisively the brighter choice.

French Gray
James White
French Gray
James White
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 43), opening up a space where French Gray encloses it.

James White
Naval
James White
Naval
Farrow & Ball
James White
2010 · LRV 81
Sherwin-Williams
Naval
LRV 4

James White reflects far more light (LRV 81 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
James White
Tranquil Dawn
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 55, James White is decisively the brighter choice.

Bancha
James White
Bancha
James White
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 13, James White is decisively the brighter choice.

Hardwick White
James White
Hardwick White
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 44, James White is decisively the brighter choice.

James White
Pure White
James White
Pure White
Farrow & Ball
James White
2010 · LRV 81

Pure White reads slightly lighter (LRV 84 vs 81), a gap that shows most in low-lit rooms.

James White
Artichoke
James White
Artichoke
Farrow & Ball
James White
2010 · LRV 81
Sherwin-Williams
Artichoke
LRV 21

James White reflects far more light (LRV 81 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
James White
Balboa Mist
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 66, James White is decisively the brighter choice.

James White
Shoji White
James White
Shoji White
Farrow & Ball
James White
2010 · LRV 81

A 6-point LRV gap (81 vs 74) makes James White the marginally brighter of the two.

James White
Snowbound
James White
Snowbound
Farrow & Ball
James White
2010 · LRV 81
Sherwin-Williams
Snowbound
LRV 83

Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.

James White
Pewter Green
James White
Pewter Green
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 12, James White is decisively the brighter choice.

James White
Skimming Stone
James White
Skimming Stone
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 68, James White is decisively the brighter choice.

Dix Blue
James White
Dix Blue
James White
Farrow & Ball
Dix Blue
LRV 41
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 41), opening up a space where Dix Blue encloses it.

Calamine
James White
Calamine
James White
Farrow & Ball
Calamine
LRV 68
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 68), opening up a space where Calamine encloses it.

James White
Treron
James White
Treron
Farrow & Ball
James White
2010 · LRV 81
Farrow & Ball
Treron
LRV 25

James White reflects far more light (LRV 81 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
James White
Vintage Vogue
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 12, James White is decisively the brighter choice.

Saybrook Sage
James White
Saybrook Sage
James White
Farrow & Ball
James White
2010 · LRV 81

At LRV 81 vs 45, James White is decisively the brighter choice.

James White
Pale Green
James White
Pale Green
Farrow & Ball
James White
2010 · LRV 81
RAL ClassicClassic
Pale Green
LRV 31

James White reflects far more light (LRV 81 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
James White
Pine Needle
James White
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 7), opening up a space where Pine Needle encloses it.

James White
Cement grey
James White
Cement grey
Farrow & Ball
James White
2010 · LRV 81
RAL ClassicClassic
Cement grey
LRV 24

James White reflects far more light (LRV 81 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
James White
Guilford Green
James White
Farrow & Ball
James White
2010 · LRV 81

James White reflects far more light (LRV 81 vs 57), opening up a space where Guilford Green encloses it.

Just Walnut
James White
Just Walnut
James White
Farrow & Ball
James White
2010 · LRV 81

James White reads slightly lighter (LRV 81 vs 72), a gap that shows most in low-lit rooms.