New White vs Agreeable Gray
New White (Farrow & Ball) and Agreeable Gray (Sherwin-Williams) come from different manufacturers. New White reads as beige-white, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. The 21-point LRV gap — 82 for New White vs 60 for Agreeable Gray — means New White will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 13.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
New White vs Agreeable Gray in Real Spaces
3 real rooms side by side. Seeing New White and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. New White reflects noticeably more light off the walls, making the space read more open than Agreeable Gray.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. New White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. New White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
New White vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see New White on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More New White comparisons
See how New White stacks up against other well-photographed colors across different brands and tones.


Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.


New White reflects far more light (LRV 82 vs 52), opening up a space where Purbeck Stone encloses it.


New White reflects far more light (LRV 82 vs 30), opening up a space where Evergreen Fog encloses it.


At LRV 82 vs 58, New White is decisively the brighter choice.


At LRV 82 vs 27, New White is decisively the brighter choice.


New White reflects far more light (LRV 82 vs 43), opening up a space where French Gray encloses it.


At LRV 82 vs 55, New White is decisively the brighter choice.


At LRV 82 vs 44, New White is decisively the brighter choice.


With LRVs of 84 and 82, the two reflect almost the same amount of light.


At LRV 82 vs 66, New White is decisively the brighter choice.


A 7-point LRV gap (82 vs 74) makes New White the marginally brighter of the two.


At LRV 82 vs 12, New White is decisively the brighter choice.


At LRV 82 vs 68, New White is decisively the brighter choice.


At LRV 82 vs 12, New White is decisively the brighter choice.


At LRV 82 vs 45, New White is decisively the brighter choice.


New White reflects far more light (LRV 82 vs 31), opening up a space where Pale Green encloses it.


New White reflects far more light (LRV 82 vs 7), opening up a space where Pine Needle encloses it.


New White reflects far more light (LRV 82 vs 24), opening up a space where Cement grey encloses it.


New White reflects far more light (LRV 82 vs 57), opening up a space where Guilford Green encloses it.


New White reads slightly lighter (LRV 82 vs 72), a gap that shows most in low-lit rooms.
























