
Picture Gallery Red vs Coral Clay
Picture Gallery Red (Farrow & Ball) and Coral Clay (Sherwin-Williams) come from different manufacturers. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. The 10-point LRV gap — 26 for Coral Clay vs 16 for Picture Gallery Red — means Coral Clay will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 12.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Picture Gallery Red vs Coral Clay in Real Spaces
3 real rooms side by side. Seeing Picture Gallery Red and Coral Clay in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Coral Clay reflects noticeably more light off the walls, making the space read more open than Picture Gallery Red.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Coral Clay returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Coral Clay reflects noticeably more light off the walls, making the space read more open than Picture Gallery Red.
Color Details
Picture Gallery Red vs Coral Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Picture Gallery Red on one side and Coral Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Picture Gallery Red comparisons
See how Picture Gallery Red stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 16), opening up a space where Picture Gallery Red encloses it.


At LRV 69 vs 16, Ammonite is decisively the brighter choice.


Picture Gallery Red reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.


At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.


Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Picture Gallery Red encloses it.


At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Picture Gallery Red encloses it.


Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.


At LRV 43 vs 16, French Gray is decisively the brighter choice.


A 11-point LRV gap (16 vs 4) makes Picture Gallery Red the marginally brighter of the two.


Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Picture Gallery Red encloses it.


With LRVs of 16 and 13, the two reflect almost the same amount of light.


Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Picture Gallery Red encloses it.


At LRV 84 vs 16, Pure White is decisively the brighter choice.


A 6-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.


Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Picture Gallery Red encloses it.


Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Picture Gallery Red encloses it.


Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Picture Gallery Red encloses it.


Picture Gallery Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Picture Gallery Red encloses it.


At LRV 41 vs 16, Dix Blue is decisively the brighter choice.


At LRV 68 vs 16, Calamine is decisively the brighter choice.


A 9-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.


Picture Gallery Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Picture Gallery Red encloses it.


At LRV 31 vs 16, Pale Green is decisively the brighter choice.


A 9-point LRV gap (16 vs 7) makes Picture Gallery Red the marginally brighter of the two.


A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.


At LRV 57 vs 16, Guilford Green is decisively the brighter choice.














