Vardo vs Blue Nile
Vardo is a Farrow & Ball color while Blue Nile comes from Sherwin-Williams. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. At LRV 15 vs 13, Vardo will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 9.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Vardo vs Blue Nile in Real Spaces
6 real rooms side by side. Vardo and Blue Nile are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Vardo vs Blue Nile Simulated Comparison
5 simulated room previews — drag the slider on each to see Vardo on one side and Blue Nile on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Vardo comparisons
See how Vardo stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 15, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 15), opening up a space where Vardo encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 15), opening up a space where Vardo encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 15), opening up a space where Vardo encloses it.
At LRV 58 vs 15, Accessible Beige is decisively the brighter choice.
A 12-point LRV gap (27 vs 15) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 15), opening up a space where Vardo encloses it.
At LRV 55 vs 15, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 15, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 15), opening up a space where Vardo encloses it.
At LRV 66 vs 15, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 15, Shoji White is decisively the brighter choice.
A 4-point LRV gap (15 vs 12) makes Vardo the marginally brighter of the two.
At LRV 68 vs 15, Skimming Stone is decisively the brighter choice.
A 3-point LRV gap (15 vs 12) makes Vardo the marginally brighter of the two.
At LRV 45 vs 15, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 15), opening up a space where Vardo encloses it.
Vardo reads slightly lighter (LRV 15 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 15), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 15), opening up a space where Vardo encloses it.