Antique Yellow vs Zing
Antique Yellow is a Jotun color while Zing comes from PPG. Hue-wise, Antique Yellow belongs to the beige-yellow family and Zing to the beige family. At LRV 58 vs 49, Zing will read as the brighter of the two — a 9-point gap that matters most in north-facing or low-light rooms. At ΔE 20.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Antique Yellow vs Zing Simulated Comparison
5 simulated room previews — drag the slider on each to see Antique Yellow on one side and Zing on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antique Yellow comparisons
See how Antique Yellow stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 49, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 49), opening up a space where Antique Yellow encloses it.
At LRV 49 vs 6, Antique Yellow is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 49), a gap that shows most in low-lit rooms.
Antique Yellow reflects far more light (LRV 49 vs 30), opening up a space where Evergreen Fog encloses it.
Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.
Agreeable Gray reads slightly lighter (LRV 60 vs 49), a gap that shows most in low-lit rooms.
A 9-point LRV gap (58 vs 49) makes Accessible Beige the marginally brighter of the two.
At LRV 49 vs 27, Antique Yellow is decisively the brighter choice.
Antique Yellow reads slightly lighter (LRV 49 vs 43), a gap that shows most in low-lit rooms.
Antique Yellow reflects far more light (LRV 49 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (55 vs 49) makes Tranquil Dawn the marginally brighter of the two.
At LRV 49 vs 13, Antique Yellow is decisively the brighter choice.
A 5-point LRV gap (49 vs 44) makes Antique Yellow the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 49), opening up a space where Antique Yellow encloses it.
Antique Yellow reflects far more light (LRV 49 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 49, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 49, Shoji White is decisively the brighter choice.
At LRV 83 vs 49, Snowbound is decisively the brighter choice.
At LRV 49 vs 12, Antique Yellow is decisively the brighter choice.
At LRV 68 vs 49, Skimming Stone is decisively the brighter choice.
Antique Yellow reads slightly lighter (LRV 49 vs 41), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 49), opening up a space where Antique Yellow encloses it.
Antique Yellow reflects far more light (LRV 49 vs 25), opening up a space where Treron encloses it.
At LRV 49 vs 12, Antique Yellow is decisively the brighter choice.
A 3-point LRV gap (49 vs 45) makes Antique Yellow the marginally brighter of the two.
Antique Yellow reflects far more light (LRV 49 vs 31), opening up a space where Pale Green encloses it.
Antique Yellow reflects far more light (LRV 49 vs 7), opening up a space where Pine Needle encloses it.
Antique Yellow reflects far more light (LRV 49 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 49), a gap that shows most in low-lit rooms.