Evening Light vs Blustery Sky
Evening Light is a Jotun color while Blustery Sky comes from Sherwin-Williams. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. With LRVs of 22 and 22, they'll behave almost identically in terms of how much light they reflect back into a room. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 3.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Evening Light vs Blustery Sky in Real Spaces
2 real rooms side by side. Evening Light and Blustery Sky are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Evening Light vs Blustery Sky Simulated Comparison
5 simulated room previews — drag the slider on each to see Evening Light on one side and Blustery Sky on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Evening Light comparisons
See how Evening Light stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 22, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 22), opening up a space where Evening Light encloses it.
Evening Light reflects far more light (LRV 22 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 22, Purbeck Stone is decisively the brighter choice.
A 8-point LRV gap (30 vs 22) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 22), opening up a space where Evening Light encloses it.
At LRV 60 vs 22, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 22), opening up a space where Evening Light encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 22), a gap that shows most in low-lit rooms.
At LRV 43 vs 22, French Gray is decisively the brighter choice.
At LRV 22 vs 4, Evening Light is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 22), opening up a space where Evening Light encloses it.
Evening Light reads slightly lighter (LRV 22 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 22), opening up a space where Evening Light encloses it.
At LRV 84 vs 22, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 22 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 22), opening up a space where Evening Light encloses it.
Shoji White reflects far more light (LRV 74 vs 22), opening up a space where Evening Light encloses it.
Snowbound reflects far more light (LRV 83 vs 22), opening up a space where Evening Light encloses it.
At LRV 51 vs 22, Pigeon is decisively the brighter choice.
Evening Light reads slightly lighter (LRV 22 vs 12), a gap that shows most in low-lit rooms.
Evening Light reflects far more light (LRV 22 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 22), opening up a space where Evening Light encloses it.
At LRV 41 vs 22, Dix Blue is decisively the brighter choice.
Evening Light reads slightly lighter (LRV 22 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 22), opening up a space where Evening Light encloses it.
A 9-point LRV gap (31 vs 22) makes Pale Green the marginally brighter of the two.