Smoked Oak vs Landmark
Smoked Oak (Jotun) and Landmark (Sherwin-Williams) come from different manufacturers. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. Their light reflectance values are nearly the same — 13 vs 15 — so neither will read significantly brighter or darker than the other. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 4.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Smoked Oak vs Landmark in Real Spaces
5 real rooms side by side. Smoked Oak and Landmark are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Smoked Oak vs Landmark Simulated Comparison
5 simulated room previews — drag the slider on each to see Smoked Oak on one side and Landmark on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Smoked Oak comparisons
See how Smoked Oak stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 13, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Smoked Oak encloses it.
Smoked Oak reads slightly lighter (LRV 13 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Smoked Oak encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
A 9-point LRV gap (13 vs 4) makes Smoked Oak the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Smoked Oak encloses it.
With LRVs of 13 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
A 8-point LRV gap (21 vs 13) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Smoked Oak encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Smoked Oak encloses it.
Snowbound reflects far more light (LRV 83 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 51 vs 13, Pigeon is decisively the brighter choice.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Smoked Oak reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 41 vs 13, Dix Blue is decisively the brighter choice.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Smoked Oak encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.