
James vs Dried Lavender
Where James belongs to Little Greene's range, Dried Lavender is a Sherwin-Williams color. Hue-wise, James belongs to the blue-grey family and Dried Lavender to the blue family. They have nearly identical light reflectance values (30 vs 29), so they'll read as similarly Medium in most lighting conditions. James runs blue while Dried Lavender is decidedly cool, which means they'll respond very differently to warm vs cool light sources. The ΔE 5.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
James vs Dried Lavender in Real Spaces
1 real room side by side. James and Dried Lavender are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
James vs Dried Lavender Simulated Comparison
5 simulated room previews — drag the slider on each to see James on one side and Dried Lavender on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More James comparisons
See how James stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 30), opening up a space where James encloses it.


At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.


At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where James encloses it.



With LRVs of 30 and 27, the two reflect almost the same amount of light.


At LRV 43 vs 30, French Gray is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where James encloses it.


Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where James encloses it.


At LRV 84 vs 30, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where James encloses it.


Shoji White reflects far more light (LRV 74 vs 30), opening up a space where James encloses it.


James reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where James encloses it.


James reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where James encloses it.


Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.


A 6-point LRV gap (30 vs 24) makes James the marginally brighter of the two.


At LRV 57 vs 30, Guilford Green is decisively the brighter choice.






















