James vs Morning at Sea
James is a Little Greene color while Morning at Sea comes from Sherwin-Williams. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. With LRVs of 30 and 29, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — James's blue character against Morning at Sea's cool — becomes most visible against white trim or in morning light. At ΔE 4.8, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
James vs Morning at Sea in Real Spaces
1 real room side by side. James and Morning at Sea are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
James vs Morning at Sea Simulated Comparison
5 simulated room previews — drag the slider on each to see James on one side and Morning at Sea on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More James comparisons
See how James stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where James encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where James encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where James encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where James encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where James encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where James encloses it.
James reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where James encloses it.
James reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where James encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
A 6-point LRV gap (30 vs 24) makes James the marginally brighter of the two.
At LRV 57 vs 30, Guilford Green is decisively the brighter choice.