Pink Slip vs Agreeable Gray
Where Pink Slip belongs to Little Greene's range, Agreeable Gray is a Sherwin-Williams color. Hue-wise, Pink Slip belongs to the pink-red family and Agreeable Gray to the greige-grey family. Pink Slip (LRV 68) reflects noticeably more light than Agreeable Gray (LRV 60), a difference of 8 points that becomes especially apparent in rooms with limited natural light. Pink Slip runs red while Agreeable Gray is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 8.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Pink Slip vs Agreeable Gray in Real Spaces
1 real room side by side. Pink Slip and Agreeable Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Pink Slip reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Pink Slip vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Pink Slip on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pink Slip comparisons
See how Pink Slip stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Pink Slip reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Pink Slip reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
A 11-point LRV gap (68 vs 58) makes Pink Slip the marginally brighter of the two.
At LRV 68 vs 27, Pink Slip is decisively the brighter choice.
Pink Slip reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Pink Slip is decisively the brighter choice.
At LRV 68 vs 44, Pink Slip is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Pink Slip encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Pink Slip is decisively the brighter choice.
At LRV 68 vs 8, Pink Slip is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Pink Slip is decisively the brighter choice.
At LRV 68 vs 45, Pink Slip is decisively the brighter choice.
Pink Slip reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Pink Slip reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.