Windmill Lane vs Pewter Green
Windmill Lane (Little Greene) and Pewter Green (Sherwin-Williams) come from different manufacturers. Both sit in the green-grey family, which is useful context if you're narrowing within a single hue direction. The 19-point LRV gap — 31 for Windmill Lane vs 12 for Pewter Green — means Windmill Lane will open up a space more effectively. Where Windmill Lane leans green, Pewter Green reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 22.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Windmill Lane vs Pewter Green in Real Spaces
6 real rooms side by side. Seeing Windmill Lane and Pewter Green in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Windmill Lane reflects noticeably more light off the walls, making the space read more open than Pewter Green.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Windmill Lane returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Windmill Lane will make the room feel meaningfully brighter than Pewter Green would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Windmill Lane returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Windmill Lane reflects noticeably more light off the walls, making the space read more open than Pewter Green.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Windmill Lane returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Windmill Lane vs Pewter Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Windmill Lane on one side and Pewter Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Windmill Lane comparisons
See how Windmill Lane stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 31, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 31), opening up a space where Windmill Lane encloses it.
At LRV 31 vs 6, Windmill Lane is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 31), opening up a space where Windmill Lane encloses it.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 31, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 31), opening up a space where Windmill Lane encloses it.
At LRV 58 vs 31, Accessible Beige is decisively the brighter choice.
A 4-point LRV gap (31 vs 27) makes Windmill Lane the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 31), opening up a space where Windmill Lane encloses it.
Windmill Lane reflects far more light (LRV 31 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 31, Tranquil Dawn is decisively the brighter choice.
At LRV 31 vs 13, Windmill Lane is decisively the brighter choice.
At LRV 44 vs 31, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 31), opening up a space where Windmill Lane encloses it.
Windmill Lane reads slightly lighter (LRV 31 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 31, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 31, Shoji White is decisively the brighter choice.
At LRV 83 vs 31, Snowbound is decisively the brighter choice.
At LRV 68 vs 31, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 31), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 31), opening up a space where Windmill Lane encloses it.
Windmill Lane reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
At LRV 31 vs 12, Windmill Lane is decisively the brighter choice.
At LRV 45 vs 31, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 31, the two reflect almost the same amount of light.
Windmill Lane reflects far more light (LRV 31 vs 7), opening up a space where Pine Needle encloses it.
Windmill Lane reads slightly lighter (LRV 31 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 31), opening up a space where Windmill Lane encloses it.
Just Walnut reflects far more light (LRV 72 vs 31), opening up a space where Windmill Lane encloses it.