S 1502-Y vs Basil
S 1502-Y is a NCS color while Basil comes from Sherwin-Williams. Hue-wise, S 1502-Y belongs to the greige-grey family and Basil to the green-grey family. At LRV 64 vs 15, S 1502-Y will read as the brighter of the two — a 50-point gap that matters most in north-facing or low-light rooms. The tonal difference — S 1502-Y's warm character against Basil's neutral — becomes most visible against white trim or in morning light. At ΔE 39.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 1502-Y vs Basil in Real Spaces
3 real rooms side by side. Seeing S 1502-Y and Basil in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. S 1502-Y returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that S 1502-Y will make the room feel meaningfully brighter than Basil would.
Color Details
S 1502-Y vs Basil Simulated Comparison
5 simulated room previews — drag the slider on each to see S 1502-Y on one side and Basil on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 1502-Y comparisons
See how S 1502-Y stacks up against other well-photographed colors across different brands and tones.
