S 1502-Y50R vs In The Pink
S 1502-Y50R (NCS) and In The Pink (Sherwin-Williams) come from different manufacturers. S 1502-Y50R reads as beige-greige, while In The Pink reads as pink-red — two distinct hue families, not close cousins. The 3-point LRV gap — 62 for S 1502-Y50R vs 59 for In The Pink — means S 1502-Y50R will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 18.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
S 1502-Y50R vs In The Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see S 1502-Y50R on one side and In The Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 1502-Y50R comparisons
See how S 1502-Y50R stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 62), opening up a space where S 1502-Y50R encloses it.
A 7-point LRV gap (69 vs 62) makes Ammonite the marginally brighter of the two.
S 1502-Y50R reflects far more light (LRV 62 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (62 vs 52) makes S 1502-Y50R the marginally brighter of the two.
At LRV 62 vs 30, S 1502-Y50R is decisively the brighter choice.
S 1502-Y50R reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 62 vs 60), so neither reads brighter in a room.
S 1502-Y50R reads slightly lighter (LRV 62 vs 58), a gap that shows most in low-lit rooms.
S 1502-Y50R reflects far more light (LRV 62 vs 27), opening up a space where Denim Drift encloses it.
At LRV 62 vs 43, S 1502-Y50R is decisively the brighter choice.
At LRV 62 vs 4, S 1502-Y50R is decisively the brighter choice.
S 1502-Y50R reads slightly lighter (LRV 62 vs 55), a gap that shows most in low-lit rooms.
S 1502-Y50R reflects far more light (LRV 62 vs 13), opening up a space where Bancha encloses it.
S 1502-Y50R reflects far more light (LRV 62 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 62, Pure White is decisively the brighter choice.
At LRV 62 vs 21, S 1502-Y50R is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 62), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 62), opening up a space where S 1502-Y50R encloses it.
Snowbound reflects far more light (LRV 83 vs 62), opening up a space where S 1502-Y50R encloses it.
S 1502-Y50R reflects far more light (LRV 62 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 62), a gap that shows most in low-lit rooms.
At LRV 62 vs 41, S 1502-Y50R is decisively the brighter choice.
A 5-point LRV gap (68 vs 62) makes Calamine the marginally brighter of the two.
At LRV 62 vs 25, S 1502-Y50R is decisively the brighter choice.
S 1502-Y50R reflects far more light (LRV 62 vs 12), opening up a space where Vintage Vogue encloses it.
S 1502-Y50R reflects far more light (LRV 62 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 62 vs 31, S 1502-Y50R is decisively the brighter choice.
At LRV 62 vs 7, S 1502-Y50R is decisively the brighter choice.
At LRV 62 vs 24, S 1502-Y50R is decisively the brighter choice.
A 5-point LRV gap (62 vs 57) makes S 1502-Y50R the marginally brighter of the two.