S 2010-G50Y vs RAL 240-1 paint color comparison

S 2010-G50Y vs RAL 240-1

S 2010-G50YNCSvsRAL 240-1RAL EffectΔE 25.8Very different colors

Where S 2010-G50Y belongs to NCS's range, RAL 240-1 is a RAL Effect color. S 2010-G50Y reads as yellow, while RAL 240-1 reads as beige-yellow — two distinct hue families, not close cousins. RAL 240-1 (LRV 63) reflects noticeably more light than S 2010-G50Y (LRV 53), a difference of 10 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 25.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

S 2010-G50Y vs RAL 240-1 in Real Spaces

1 real room side by side. Seeing S 2010-G50Y and RAL 240-1 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. RAL 240-1 reflects noticeably more light off the walls, making the space read more open than S 2010-G50Y.

S 2010-G50YNCS S 2010-G50Y bedroom review

@fluggerfargfalun

RAL 240-1RAL Effect 240-1 bedroom

@visualization

Color Details

S 2010-G50Y
NCS · S 2010-G50Y
LRV52.8
BrandNCS
NumberS 2010-G50Y
Undertone
TemperatureWarm
BrightnessMedium
RAL 240-1
RAL Effect · RAL 240-1
LRV62.9
BrandRAL Effect
NumberRAL 240-1
Undertone
Temperature
BrightnessLight

S 2010-G50Y vs RAL 240-1 Simulated Comparison

5 simulated room previews — drag the slider on each to see S 2010-G50Y on one side and RAL 240-1 on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More S 2010-G50Y comparisons

See how S 2010-G50Y stacks up against other well-photographed colors across different brands and tones.

Ammonite
S 2010-G50Y
Ammonite
S 2010-G50Y
Farrow & Ball
Ammonite
LRV 69
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 69 vs 53, Ammonite is decisively the brighter choice.

White Dove
S 2010-G50Y
White Dove
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

White Dove reflects far more light (LRV 83 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Iron Ore
S 2010-G50Y
Iron Ore
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
S 2010-G50Y
Purbeck Stone
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 52), so neither reads brighter in a room.

S 2010-G50Y
Evergreen Fog
S 2010-G50Y
Evergreen Fog
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 53 vs 30, S 2010-G50Y is decisively the brighter choice.

Mizzle
Mizzle
S 2010-G50Y
S 2010-G50Y
Mizzle vs S 2010-G50Y
Farrow & Ball
Mizzle
LRV 52
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

With LRVs of 53 and 52, the two reflect almost the same amount of light.

S 2010-G50Y
Agreeable Gray
S 2010-G50Y
Agreeable Gray
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 8-point LRV gap (60 vs 53) makes Agreeable Gray the marginally brighter of the two.

S 2010-G50Y
Accessible Beige
S 2010-G50Y
Accessible Beige
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Accessible Beige reads slightly lighter (LRV 58 vs 53), a gap that shows most in low-lit rooms.

Denim Drift
S 2010-G50Y
Denim Drift
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 27), opening up a space where Denim Drift encloses it.

French Gray
S 2010-G50Y
French Gray
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 10-point LRV gap (53 vs 43) makes S 2010-G50Y the marginally brighter of the two.

S 2010-G50Y
Naval
S 2010-G50Y
Naval
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Naval
LRV 4

At LRV 53 vs 4, S 2010-G50Y is decisively the brighter choice.

Tranquil Dawn
S 2010-G50Y
Tranquil Dawn
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

With LRVs of 55 and 53, the two reflect almost the same amount of light.

Bancha
S 2010-G50Y
Bancha
S 2010-G50Y
Farrow & Ball
Bancha
LRV 13
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 13), opening up a space where Bancha encloses it.

Hardwick White
S 2010-G50Y
Hardwick White
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reads slightly lighter (LRV 53 vs 44), a gap that shows most in low-lit rooms.

S 2010-G50Y
Pure White
S 2010-G50Y
Pure White
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 84 vs 53, Pure White is decisively the brighter choice.

S 2010-G50Y
Artichoke
S 2010-G50Y
Artichoke
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Artichoke
LRV 21

At LRV 53 vs 21, S 2010-G50Y is decisively the brighter choice.

Balboa Mist
S 2010-G50Y
Balboa Mist
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Balboa Mist reflects far more light (LRV 66 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Shoji White
S 2010-G50Y
Shoji White
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Shoji White reflects far more light (LRV 74 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Snowbound
S 2010-G50Y
Snowbound
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 53), opening up a space where S 2010-G50Y encloses it.

Pigeon
S 2010-G50Y
Pigeon
S 2010-G50Y
Farrow & Ball
Pigeon
LRV 51
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 51), so neither reads brighter in a room.

S 2010-G50Y
Pewter Green
S 2010-G50Y
Pewter Green
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
S 2010-G50Y
Duck Green
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
S 2010-G50Y
Skimming Stone
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Skimming Stone reflects far more light (LRV 68 vs 53), opening up a space where S 2010-G50Y encloses it.

Dix Blue
S 2010-G50Y
Dix Blue
S 2010-G50Y
Farrow & Ball
Dix Blue
LRV 41
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 12-point LRV gap (53 vs 41) makes S 2010-G50Y the marginally brighter of the two.

Hicks' Blue
S 2010-G50Y
Hicks' Blue
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Hicks' Blue vs S 2010-G50Y

Slaked Lime Deep
S 2010-G50Y
Slaked Lime Deep
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Slaked Lime Deep vs S 2010-G50Y

Vintage Vogue
S 2010-G50Y
Vintage Vogue
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
S 2010-G50Y
Livid
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Livid vs S 2010-G50Y

Saybrook Sage
Saybrook Sage
S 2010-G50Y
S 2010-G50Y
Saybrook Sage vs S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reads slightly lighter (LRV 53 vs 45), a gap that shows most in low-lit rooms.

S 2010-G50Y
Pale Green
S 2010-G50Y
Pale Green
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
RAL ClassicClassic
Pale Green
LRV 31

At LRV 53 vs 31, S 2010-G50Y is decisively the brighter choice.