S 5040-G vs Iron Ore

S 5040-GNCSvsIron OreSherwin-WilliamsΔE 34.0Very different colors

S 5040-G (NCS) and Iron Ore (Sherwin-Williams) come from different manufacturers. S 5040-G reads as blue-green, while Iron Ore reads as grey — two distinct hue families, not close cousins. The 3-point LRV gap — 8 for S 5040-G vs 6 for Iron Ore — means S 5040-G will open up a space more effectively. Where S 5040-G leans cool, Iron Ore reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 34.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

S 5040-G vs Iron Ore in Real Spaces

1 real room side by side. Seeing S 5040-G and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Kitchen Cabinets

Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. S 5040-G reads more restrained here, while Iron Ore adds a sense of enclosure and warmth.

S 5040-GNCS S 5040-G kitchen cabinets

@totaalbouw_gelderland

Iron OreSw Iron Ore Painted Cabinets

@fieldandforestdesign

Color Details

S 5040-G
NCS · S 5040-G
LRV8.2
BrandNCS
NumberS 5040-G
Undertone
TemperatureCool
BrightnessDark
Iron Ore
Sherwin-Williams · 7069
LRV5.5
BrandSherwin-Williams
Number7069
Undertone
TemperatureNeutral
BrightnessDark

S 5040-G vs Iron Ore Simulated Comparison

5 simulated room previews — drag the slider on each to see S 5040-G on one side and Iron Ore on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More S 5040-G comparisons

See how S 5040-G stacks up against other well-photographed colors across different brands and tones.

Ammonite
S 5040-G
Ammonite
S 5040-G
Farrow & Ball
Ammonite
LRV 69
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 69 vs 8, Ammonite is decisively the brighter choice.

White Dove
S 5040-G
White Dove
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

White Dove reflects far more light (LRV 83 vs 8), opening up a space where S 5040-G encloses it.

Purbeck Stone
S 5040-G
Purbeck Stone
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 52 vs 8, Purbeck Stone is decisively the brighter choice.

S 5040-G
Evergreen Fog
S 5040-G
Evergreen Fog
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 30 vs 8, Evergreen Fog is decisively the brighter choice.

Mizzle
S 5040-G
Mizzle
S 5040-G
Farrow & Ball
Mizzle
LRV 52
NCS
S 5040-G
S 5040-G · LRV 8

Mizzle reflects far more light (LRV 52 vs 8), opening up a space where S 5040-G encloses it.

S 5040-G
Agreeable Gray
S 5040-G
Agreeable Gray
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 60 vs 8, Agreeable Gray is decisively the brighter choice.

S 5040-G
Accessible Beige
S 5040-G
Accessible Beige
NCS
S 5040-G
S 5040-G · LRV 8

Accessible Beige reflects far more light (LRV 58 vs 8), opening up a space where S 5040-G encloses it.

Denim Drift
S 5040-G
Denim Drift
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Denim Drift reflects far more light (LRV 27 vs 8), opening up a space where S 5040-G encloses it.

French Gray
S 5040-G
French Gray
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 43 vs 8, French Gray is decisively the brighter choice.

S 5040-G
Naval
S 5040-G
Naval
NCS
S 5040-G
S 5040-G · LRV 8
Sherwin-Williams
Naval
LRV 4

A 4-point LRV gap (8 vs 4) makes S 5040-G the marginally brighter of the two.

Tranquil Dawn
S 5040-G
Tranquil Dawn
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Tranquil Dawn reflects far more light (LRV 55 vs 8), opening up a space where S 5040-G encloses it.

Bancha
S 5040-G
Bancha
S 5040-G
Farrow & Ball
Bancha
LRV 13
NCS
S 5040-G
S 5040-G · LRV 8

Bancha reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.

Hardwick White
S 5040-G
Hardwick White
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Hardwick White reflects far more light (LRV 44 vs 8), opening up a space where S 5040-G encloses it.

S 5040-G
Pure White
S 5040-G
Pure White
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 84 vs 8, Pure White is decisively the brighter choice.

S 5040-G
Artichoke
S 5040-G
Artichoke
NCS
S 5040-G
S 5040-G · LRV 8
Sherwin-Williams
Artichoke
LRV 21

At LRV 21 vs 8, Artichoke is decisively the brighter choice.

Balboa Mist
S 5040-G
Balboa Mist
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Balboa Mist reflects far more light (LRV 66 vs 8), opening up a space where S 5040-G encloses it.

S 5040-G
Shoji White
S 5040-G
Shoji White
NCS
S 5040-G
S 5040-G · LRV 8

Shoji White reflects far more light (LRV 74 vs 8), opening up a space where S 5040-G encloses it.

S 5040-G
Snowbound
S 5040-G
Snowbound
NCS
S 5040-G
S 5040-G · LRV 8
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 8), opening up a space where S 5040-G encloses it.

Pigeon
S 5040-G
Pigeon
S 5040-G
Farrow & Ball
Pigeon
LRV 51
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 51 vs 8, Pigeon is decisively the brighter choice.

S 5040-G
Pewter Green
S 5040-G
Pewter Green
NCS
S 5040-G
S 5040-G · LRV 8

Pewter Green reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.

Duck Green
Duck Green
S 5040-G
S 5040-G
Duck Green vs S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

With LRVs of 8 and 8, the two reflect almost the same amount of light.

Skimming Stone
S 5040-G
Skimming Stone
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Skimming Stone reflects far more light (LRV 68 vs 8), opening up a space where S 5040-G encloses it.

Dix Blue
S 5040-G
Dix Blue
S 5040-G
Farrow & Ball
Dix Blue
LRV 41
NCS
S 5040-G
S 5040-G · LRV 8

At LRV 41 vs 8, Dix Blue is decisively the brighter choice.

Hicks' Blue
S 5040-G
Hicks' Blue
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Hicks' Blue vs S 5040-G

Slaked Lime Deep
S 5040-G
Slaked Lime Deep
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Slaked Lime Deep vs S 5040-G

Vintage Vogue
S 5040-G
Vintage Vogue
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Vintage Vogue reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.

Livid
S 5040-G
Livid
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Livid vs S 5040-G

Saybrook Sage
S 5040-G
Saybrook Sage
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Saybrook Sage reflects far more light (LRV 45 vs 8), opening up a space where S 5040-G encloses it.

S 5040-G
Pale Green
S 5040-G
Pale Green
NCS
S 5040-G
S 5040-G · LRV 8
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 8, Pale Green is decisively the brighter choice.

Pine Needle
S 5040-G
Pine Needle
S 5040-G
NCS
S 5040-G
S 5040-G · LRV 8

Their light reflectance is nearly identical (LRV 8 vs 7), so neither reads brighter in a room.