S 7000-N vs Shoji White
Where S 7000-N belongs to NCS's range, Shoji White is a Sherwin-Williams color. S 7000-N reads as grey, while Shoji White reads as beige-greige — two distinct hue families, not close cousins. Shoji White (LRV 74) reflects noticeably more light than S 7000-N (LRV 11), a difference of 64 points that becomes especially apparent in rooms with limited natural light. S 7000-N runs neutral while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 50.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 7000-N vs Shoji White in Real Spaces
3 real rooms side by side. Seeing S 7000-N and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Shoji White reflects noticeably more light off the walls, making the space read more open than S 7000-N.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than S 7000-N would.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Shoji White reflects noticeably more light off the walls, making the space read more open than S 7000-N.
Color Details
S 7000-N vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see S 7000-N on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 7000-N comparisons
See how S 7000-N stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 11, White Dove is decisively the brighter choice.


Purbeck Stone reflects far more light (LRV 52 vs 11), opening up a space where S 7000-N encloses it.


Evergreen Fog reflects far more light (LRV 30 vs 11), opening up a space where S 7000-N encloses it.


Agreeable Gray reflects far more light (LRV 60 vs 11), opening up a space where S 7000-N encloses it.


At LRV 58 vs 11, Accessible Beige is decisively the brighter choice.


At LRV 27 vs 11, Denim Drift is decisively the brighter choice.


French Gray reflects far more light (LRV 43 vs 11), opening up a space where S 7000-N encloses it.


At LRV 55 vs 11, Tranquil Dawn is decisively the brighter choice.


At LRV 44 vs 11, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 11), opening up a space where S 7000-N encloses it.


At LRV 66 vs 11, Balboa Mist is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.


At LRV 68 vs 11, Skimming Stone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.


At LRV 45 vs 11, Saybrook Sage is decisively the brighter choice.


Pale Green reflects far more light (LRV 31 vs 11), opening up a space where S 7000-N encloses it.


S 7000-N reads slightly lighter (LRV 11 vs 7), a gap that shows most in low-lit rooms.


Cement grey reflects far more light (LRV 24 vs 11), opening up a space where S 7000-N encloses it.


Guilford Green reflects far more light (LRV 57 vs 11), opening up a space where S 7000-N encloses it.


Just Walnut reflects far more light (LRV 72 vs 11), opening up a space where S 7000-N encloses it.
























