Afraid Of The Dark vs Naval
Afraid Of The Dark (PPG) and Naval (Sherwin-Williams) come from different manufacturers. Afraid Of The Dark reads as green-grey, while Naval reads as blue — two distinct hue families, not close cousins. The 62-point LRV gap — 66 for Afraid Of The Dark vs 4 for Naval — means Afraid Of The Dark will open up a space more effectively. A ΔE of 61.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Afraid Of The Dark vs Naval in Real Spaces
8 real rooms side by side. Seeing Afraid Of The Dark and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Afraid Of The Dark reflects noticeably more light off the walls, making the space read more open than Naval.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Afraid Of The Dark returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Afraid Of The Dark returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Afraid Of The Dark will make the room feel meaningfully brighter than Naval would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Afraid Of The Dark returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Afraid Of The Dark returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Afraid Of The Dark returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Afraid Of The Dark reflects noticeably more light off the walls, making the space read more open than Naval.
Color Details
Afraid Of The Dark vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Afraid Of The Dark on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Afraid Of The Dark comparisons
See how Afraid Of The Dark stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 69 vs 66), so neither reads brighter in a room.
White Dove reflects far more light (LRV 83 vs 66), opening up a space where Afraid Of The Dark encloses it.
Afraid Of The Dark reflects far more light (LRV 66 vs 6), opening up a space where Iron Ore encloses it.
At LRV 66 vs 52, Afraid Of The Dark is decisively the brighter choice.
At LRV 66 vs 30, Afraid Of The Dark is decisively the brighter choice.
Afraid Of The Dark reflects far more light (LRV 66 vs 52), opening up a space where Mizzle encloses it.
A 6-point LRV gap (66 vs 60) makes Afraid Of The Dark the marginally brighter of the two.
Afraid Of The Dark reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.
Afraid Of The Dark reflects far more light (LRV 66 vs 27), opening up a space where Denim Drift encloses it.
At LRV 66 vs 43, Afraid Of The Dark is decisively the brighter choice.
Afraid Of The Dark reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.
Afraid Of The Dark reflects far more light (LRV 66 vs 13), opening up a space where Bancha encloses it.
Afraid Of The Dark reflects far more light (LRV 66 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 66, Pure White is decisively the brighter choice.
At LRV 66 vs 21, Afraid Of The Dark is decisively the brighter choice.
With LRVs of 66 and 66, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 66), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 66), opening up a space where Afraid Of The Dark encloses it.
At LRV 66 vs 51, Afraid Of The Dark is decisively the brighter choice.
Afraid Of The Dark reflects far more light (LRV 66 vs 12), opening up a space where Pewter Green encloses it.
Afraid Of The Dark reflects far more light (LRV 66 vs 8), opening up a space where Duck Green encloses it.
With LRVs of 68 and 66, the two reflect almost the same amount of light.
At LRV 66 vs 41, Afraid Of The Dark is decisively the brighter choice.
Afraid Of The Dark reflects far more light (LRV 66 vs 12), opening up a space where Vintage Vogue encloses it.
Afraid Of The Dark reflects far more light (LRV 66 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 66 vs 31, Afraid Of The Dark is decisively the brighter choice.
At LRV 66 vs 7, Afraid Of The Dark is decisively the brighter choice.