Ancient Copper vs Clay Pot
Ancient Copper (PPG) and Clay Pot (Sherwin-Williams) come from different manufacturers. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Their light reflectance values are nearly the same — 14 vs 12 — so neither will read significantly brighter or darker than the other. ΔE 4.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Ancient Copper vs Clay Pot in Real Spaces
10 real rooms side by side. Ancient Copper and Clay Pot are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Mudroom
In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Patio
Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Ancient Copper vs Clay Pot Simulated Comparison
5 simulated room previews — drag the slider on each to see Ancient Copper on one side and Clay Pot on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ancient Copper comparisons
See how Ancient Copper stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 69 vs 14, Ammonite is decisively the brighter choice.
Ancient Copper reads slightly lighter (LRV 14 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where Ancient Copper encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
A 10-point LRV gap (14 vs 4) makes Ancient Copper the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where Ancient Copper encloses it.
With LRVs of 14 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
A 7-point LRV gap (21 vs 14) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where Ancient Copper encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where Ancient Copper encloses it.
Snowbound reflects far more light (LRV 83 vs 14), opening up a space where Ancient Copper encloses it.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 41 vs 14, Dix Blue is decisively the brighter choice.
At LRV 68 vs 14, Calamine is decisively the brighter choice.
A 11-point LRV gap (25 vs 14) makes Treron the marginally brighter of the two.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where Ancient Copper encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.
A 7-point LRV gap (14 vs 7) makes Ancient Copper the marginally brighter of the two.
A 10-point LRV gap (24 vs 14) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 14, Guilford Green is decisively the brighter choice.