Apricot Cream vs Naval
Apricot Cream is a PPG color while Naval comes from Sherwin-Williams. Hue-wise, Apricot Cream belongs to the beige-pink family and Naval to the blue family. At LRV 75 vs 4, Apricot Cream will read as the brighter of the two — a 71-point gap that matters most in north-facing or low-light rooms. At ΔE 66.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Apricot Cream vs Naval in Real Spaces
8 real rooms side by side. Seeing Apricot Cream and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Apricot Cream returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Apricot Cream will make the room feel meaningfully brighter than Naval would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Apricot Cream will make the room feel meaningfully brighter than Naval would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Apricot Cream reflects noticeably more light off the walls, making the space read more open than Naval.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Apricot Cream will make the room feel meaningfully brighter than Naval would.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The LRV gap is large enough that Apricot Cream will make the room feel meaningfully brighter than Naval would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Apricot Cream will make the room feel meaningfully brighter than Naval would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Apricot Cream returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Apricot Cream vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Apricot Cream on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Apricot Cream comparisons
See how Apricot Cream stacks up against other well-photographed colors across different brands and tones.


Apricot Cream reads slightly lighter (LRV 75 vs 69), a gap that shows most in low-lit rooms.


A 8-point LRV gap (83 vs 75) makes White Dove the marginally brighter of the two.


At LRV 75 vs 6, Apricot Cream is decisively the brighter choice.


Apricot Cream reflects far more light (LRV 75 vs 52), opening up a space where Purbeck Stone encloses it.


Apricot Cream reflects far more light (LRV 75 vs 30), opening up a space where Evergreen Fog encloses it.


At LRV 75 vs 52, Apricot Cream is decisively the brighter choice.


Apricot Cream reflects far more light (LRV 75 vs 60), opening up a space where Agreeable Gray encloses it.


At LRV 75 vs 58, Apricot Cream is decisively the brighter choice.


At LRV 75 vs 27, Apricot Cream is decisively the brighter choice.


Apricot Cream reflects far more light (LRV 75 vs 43), opening up a space where French Gray encloses it.


At LRV 75 vs 55, Apricot Cream is decisively the brighter choice.


At LRV 75 vs 13, Apricot Cream is decisively the brighter choice.


At LRV 75 vs 44, Apricot Cream is decisively the brighter choice.


Pure White reads slightly lighter (LRV 84 vs 75), a gap that shows most in low-lit rooms.


Apricot Cream reflects far more light (LRV 75 vs 21), opening up a space where Artichoke encloses it.


A 9-point LRV gap (75 vs 66) makes Apricot Cream the marginally brighter of the two.


Their light reflectance is nearly identical (LRV 75 vs 74), so neither reads brighter in a room.


A 8-point LRV gap (83 vs 75) makes Snowbound the marginally brighter of the two.


Apricot Cream reflects far more light (LRV 75 vs 51), opening up a space where Pigeon encloses it.


At LRV 75 vs 12, Apricot Cream is decisively the brighter choice.


At LRV 75 vs 8, Apricot Cream is decisively the brighter choice.


A 7-point LRV gap (75 vs 68) makes Apricot Cream the marginally brighter of the two.


Apricot Cream reflects far more light (LRV 75 vs 41), opening up a space where Dix Blue encloses it.


At LRV 75 vs 12, Apricot Cream is decisively the brighter choice.


At LRV 75 vs 45, Apricot Cream is decisively the brighter choice.


Apricot Cream reflects far more light (LRV 75 vs 31), opening up a space where Pale Green encloses it.


Apricot Cream reflects far more light (LRV 75 vs 7), opening up a space where Pine Needle encloses it.


Apricot Cream reflects far more light (LRV 75 vs 24), opening up a space where Cement grey encloses it.


Apricot Cream reflects far more light (LRV 75 vs 57), opening up a space where Guilford Green encloses it.


Apricot Cream reads slightly lighter (LRV 75 vs 72), a gap that shows most in low-lit rooms.
























