First Light vs Venetian Yellow
Where First Light belongs to PPG's range, Venetian Yellow is a Sherwin-Williams color. Hue-wise, First Light belongs to the blue family and Venetian Yellow to the beige-yellow family. They have nearly identical light reflectance values (79 vs 77), so they'll read as similarly Light in most lighting conditions. With a ΔE of NaN, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
First Light vs Venetian Yellow Simulated Comparison
5 simulated room previews — drag the slider on each to see First Light on one side and Venetian Yellow on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More First Light comparisons
See how First Light stacks up against other well-photographed colors across different brands and tones.
A 4-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
First Light reads slightly lighter (LRV 79 vs 69), a gap that shows most in low-lit rooms.
At LRV 79 vs 6, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
First Light reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 79 vs 52, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, First Light is decisively the brighter choice.
At LRV 79 vs 27, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
First Light reflects far more light (LRV 79 vs 4), opening up a space where Naval encloses it.
At LRV 79 vs 55, First Light is decisively the brighter choice.
At LRV 79 vs 13, First Light is decisively the brighter choice.
At LRV 79 vs 44, First Light is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
First Light reflects far more light (LRV 79 vs 21), opening up a space where Artichoke encloses it.
At LRV 79 vs 66, First Light is decisively the brighter choice.
A 5-point LRV gap (79 vs 74) makes First Light the marginally brighter of the two.
A 4-point LRV gap (83 vs 79) makes Snowbound the marginally brighter of the two.
At LRV 79 vs 12, First Light is decisively the brighter choice.
A 11-point LRV gap (79 vs 68) makes First Light the marginally brighter of the two.
First Light reflects far more light (LRV 79 vs 41), opening up a space where Dix Blue encloses it.
First Light reads slightly lighter (LRV 79 vs 68), a gap that shows most in low-lit rooms.
First Light reflects far more light (LRV 79 vs 25), opening up a space where Treron encloses it.
At LRV 79 vs 12, First Light is decisively the brighter choice.
At LRV 79 vs 45, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.
First Light reflects far more light (LRV 79 vs 7), opening up a space where Pine Needle encloses it.
First Light reflects far more light (LRV 79 vs 24), opening up a space where Cement grey encloses it.
First Light reflects far more light (LRV 79 vs 57), opening up a space where Guilford Green encloses it.