Go To Gray vs Evergreen Fog
Where Go To Gray belongs to PPG's range, Evergreen Fog is a Sherwin-Williams color. Go To Gray reads as grey, while Evergreen Fog reads as green-grey — two distinct hue families, not close cousins. Go To Gray (LRV 70) reflects noticeably more light than Evergreen Fog (LRV 30), a difference of 40 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 25.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Go To Gray vs Evergreen Fog in Real Spaces
7 real rooms side by side. Seeing Go To Gray and Evergreen Fog in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Go To Gray will make the room feel meaningfully brighter than Evergreen Fog would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Go To Gray reflects noticeably more light off the walls, making the space read more open than Evergreen Fog.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Go To Gray reflects noticeably more light off the walls, making the space read more open than Evergreen Fog.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Go To Gray reflects noticeably more light off the walls, making the space read more open than Evergreen Fog.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Go To Gray reflects noticeably more light off the walls, making the space read more open than Evergreen Fog.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Go To Gray reflects noticeably more light off the walls, making the space read more open than Evergreen Fog.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Go To Gray will make the room feel meaningfully brighter than Evergreen Fog would.
Color Details
Go To Gray vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Go To Gray on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Go To Gray comparisons
See how Go To Gray stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 70 vs 69), so neither reads brighter in a room.
White Dove reflects far more light (LRV 83 vs 70), opening up a space where Go To Gray encloses it.
Go To Gray reflects far more light (LRV 70 vs 6), opening up a space where Iron Ore encloses it.
At LRV 70 vs 52, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 52), opening up a space where Mizzle encloses it.
A 10-point LRV gap (70 vs 60) makes Go To Gray the marginally brighter of the two.
Go To Gray reflects far more light (LRV 70 vs 58), opening up a space where Accessible Beige encloses it.
Go To Gray reflects far more light (LRV 70 vs 27), opening up a space where Denim Drift encloses it.
At LRV 70 vs 43, Go To Gray is decisively the brighter choice.
At LRV 70 vs 4, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 55), opening up a space where Tranquil Dawn encloses it.
Go To Gray reflects far more light (LRV 70 vs 13), opening up a space where Bancha encloses it.
Go To Gray reflects far more light (LRV 70 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 70, Pure White is decisively the brighter choice.
At LRV 70 vs 21, Go To Gray is decisively the brighter choice.
Go To Gray reads slightly lighter (LRV 70 vs 66), a gap that shows most in low-lit rooms.
Shoji White reads slightly lighter (LRV 74 vs 70), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 70), opening up a space where Go To Gray encloses it.
At LRV 70 vs 51, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 12), opening up a space where Pewter Green encloses it.
Go To Gray reflects far more light (LRV 70 vs 8), opening up a space where Duck Green encloses it.
With LRVs of 70 and 68, the two reflect almost the same amount of light.
At LRV 70 vs 41, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 12), opening up a space where Vintage Vogue encloses it.
Go To Gray reflects far more light (LRV 70 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 70 vs 31, Go To Gray is decisively the brighter choice.
At LRV 70 vs 7, Go To Gray is decisively the brighter choice.