Good Graces vs Pure White
Good Graces is a PPG color while Pure White comes from Sherwin-Williams. Hue-wise, Good Graces belongs to the beige-yellow family and Pure White to the beige-greige family. With LRVs of 85 and 84, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 10.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Good Graces vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Good Graces on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Good Graces comparisons
See how Good Graces stacks up against other well-photographed colors across different brands and tones.
Good Graces reflects far more light (LRV 85 vs 69), opening up a space where Ammonite encloses it.
Their light reflectance is nearly identical (LRV 85 vs 83), so neither reads brighter in a room.
At LRV 85 vs 6, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 52), opening up a space where Purbeck Stone encloses it.
Good Graces reflects far more light (LRV 85 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 85 vs 52, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 85 vs 58, Good Graces is decisively the brighter choice.
At LRV 85 vs 27, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 43), opening up a space where French Gray encloses it.
Good Graces reflects far more light (LRV 85 vs 4), opening up a space where Naval encloses it.
At LRV 85 vs 55, Good Graces is decisively the brighter choice.
At LRV 85 vs 13, Good Graces is decisively the brighter choice.
At LRV 85 vs 44, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 21), opening up a space where Artichoke encloses it.
At LRV 85 vs 66, Good Graces is decisively the brighter choice.
A 11-point LRV gap (85 vs 74) makes Good Graces the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 85 vs 83), so neither reads brighter in a room.
Good Graces reflects far more light (LRV 85 vs 51), opening up a space where Pigeon encloses it.
At LRV 85 vs 12, Good Graces is decisively the brighter choice.
At LRV 85 vs 8, Good Graces is decisively the brighter choice.
At LRV 85 vs 68, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 41), opening up a space where Dix Blue encloses it.
At LRV 85 vs 12, Good Graces is decisively the brighter choice.
At LRV 85 vs 45, Good Graces is decisively the brighter choice.
Good Graces reflects far more light (LRV 85 vs 31), opening up a space where Pale Green encloses it.
Good Graces reflects far more light (LRV 85 vs 7), opening up a space where Pine Needle encloses it.