Lost At Sea vs Evergreen Fog
Lost At Sea is a PPG color while Evergreen Fog comes from Sherwin-Williams. Lost At Sea reads as blue-grey, while Evergreen Fog reads as green-grey — two distinct hue families, not close cousins. At LRV 33 vs 30, Lost At Sea will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. At ΔE 14.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Lost At Sea vs Evergreen Fog in Real Spaces
7 real rooms side by side. Seeing Lost At Sea and Evergreen Fog in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Lost At Sea vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Lost At Sea on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Lost At Sea comparisons
See how Lost At Sea stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 33, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 33), opening up a space where Lost At Sea encloses it.
Lost At Sea reflects far more light (LRV 33 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 33, Purbeck Stone is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 33), opening up a space where Lost At Sea encloses it.
At LRV 60 vs 33, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 33), opening up a space where Lost At Sea encloses it.
Lost At Sea reads slightly lighter (LRV 33 vs 27), a gap that shows most in low-lit rooms.
A 10-point LRV gap (43 vs 33) makes French Gray the marginally brighter of the two.
At LRV 33 vs 4, Lost At Sea is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 33), opening up a space where Lost At Sea encloses it.
Lost At Sea reflects far more light (LRV 33 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 33), a gap that shows most in low-lit rooms.
At LRV 84 vs 33, Pure White is decisively the brighter choice.
A 12-point LRV gap (33 vs 21) makes Lost At Sea the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 33), opening up a space where Lost At Sea encloses it.
Shoji White reflects far more light (LRV 74 vs 33), opening up a space where Lost At Sea encloses it.
Snowbound reflects far more light (LRV 83 vs 33), opening up a space where Lost At Sea encloses it.
At LRV 51 vs 33, Pigeon is decisively the brighter choice.
Lost At Sea reflects far more light (LRV 33 vs 12), opening up a space where Pewter Green encloses it.
Lost At Sea reflects far more light (LRV 33 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 33), opening up a space where Lost At Sea encloses it.
A 8-point LRV gap (41 vs 33) makes Dix Blue the marginally brighter of the two.
Lost At Sea reflects far more light (LRV 33 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 33), opening up a space where Lost At Sea encloses it.
Their light reflectance is nearly identical (LRV 33 vs 31), so neither reads brighter in a room.
At LRV 33 vs 7, Lost At Sea is decisively the brighter choice.