Set In Stone vs Naval
Where Set In Stone belongs to PPG's range, Naval is a Sherwin-Williams color. Hue-wise, Set In Stone belongs to the blue-grey family and Naval to the blue family. Set In Stone (LRV 42) reflects noticeably more light than Naval (LRV 4), a difference of 38 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 45.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Set In Stone vs Naval in Real Spaces
8 real rooms side by side. Seeing Set In Stone and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Set In Stone will make the room feel meaningfully brighter than Naval would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Set In Stone reflects noticeably more light off the walls, making the space read more open than Naval.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Set In Stone reflects noticeably more light off the walls, making the space read more open than Naval.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Set In Stone returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Set In Stone reflects noticeably more light off the walls, making the space read more open than Naval.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Set In Stone reflects noticeably more light off the walls, making the space read more open than Naval.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Set In Stone reflects noticeably more light off the walls, making the space read more open than Naval.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Set In Stone will make the room feel meaningfully brighter than Naval would.
Color Details
Set In Stone vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Set In Stone on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Set In Stone comparisons
See how Set In Stone stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 42, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 42), opening up a space where Set In Stone encloses it.
Set In Stone reflects far more light (LRV 42 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (52 vs 42) makes Purbeck Stone the marginally brighter of the two.
A 12-point LRV gap (42 vs 30) makes Set In Stone the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 42), a gap that shows most in low-lit rooms.
At LRV 60 vs 42, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 42), opening up a space where Set In Stone encloses it.
Set In Stone reflects far more light (LRV 42 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 42), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 42), opening up a space where Set In Stone encloses it.
Set In Stone reflects far more light (LRV 42 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 42, the two reflect almost the same amount of light.
At LRV 84 vs 42, Pure White is decisively the brighter choice.
At LRV 42 vs 21, Set In Stone is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 42), opening up a space where Set In Stone encloses it.
Shoji White reflects far more light (LRV 74 vs 42), opening up a space where Set In Stone encloses it.
Snowbound reflects far more light (LRV 83 vs 42), opening up a space where Set In Stone encloses it.
A 9-point LRV gap (51 vs 42) makes Pigeon the marginally brighter of the two.
Set In Stone reflects far more light (LRV 42 vs 12), opening up a space where Pewter Green encloses it.
Set In Stone reflects far more light (LRV 42 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 42), opening up a space where Set In Stone encloses it.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room.
Set In Stone reflects far more light (LRV 42 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 42), a gap that shows most in low-lit rooms.
A 11-point LRV gap (42 vs 31) makes Set In Stone the marginally brighter of the two.
At LRV 42 vs 7, Set In Stone is decisively the brighter choice.