Light grey vs Tinsmith
Light grey is a RAL Classic color while Tinsmith comes from Sherwin-Williams. These are both greys, so the question isn't which hue to choose — it's where within grey to land. With LRVs of 58 and 57, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 0.7, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Light grey vs Tinsmith Simulated Comparison
5 simulated room previews — drag the slider on each to see Light grey on one side and Tinsmith on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Light grey comparisons
See how Light grey stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 58), a gap that shows most in low-lit rooms.
At LRV 83 vs 58, White Dove is decisively the brighter choice.
At LRV 58 vs 6, Light grey is decisively the brighter choice.
Light grey reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Light grey reflects far more light (LRV 58 vs 30), opening up a space where Evergreen Fog encloses it.
A 7-point LRV gap (58 vs 52) makes Light grey the marginally brighter of the two.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 58 vs 58), so neither reads brighter in a room.
At LRV 58 vs 27, Light grey is decisively the brighter choice.
Light grey reflects far more light (LRV 58 vs 43), opening up a space where French Gray encloses it.
Light grey reflects far more light (LRV 58 vs 4), opening up a space where Naval encloses it.
A 3-point LRV gap (58 vs 55) makes Light grey the marginally brighter of the two.
At LRV 58 vs 13, Light grey is decisively the brighter choice.
At LRV 58 vs 44, Light grey is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 58), opening up a space where Light grey encloses it.
Light grey reflects far more light (LRV 58 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (66 vs 58) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 58, Shoji White is decisively the brighter choice.
At LRV 83 vs 58, Snowbound is decisively the brighter choice.
Light grey reads slightly lighter (LRV 58 vs 51), a gap that shows most in low-lit rooms.
At LRV 58 vs 12, Light grey is decisively the brighter choice.
At LRV 58 vs 8, Light grey is decisively the brighter choice.
A 10-point LRV gap (68 vs 58) makes Skimming Stone the marginally brighter of the two.
Light grey reflects far more light (LRV 58 vs 41), opening up a space where Dix Blue encloses it.
At LRV 58 vs 12, Light grey is decisively the brighter choice.
At LRV 58 vs 45, Light grey is decisively the brighter choice.
Light grey reflects far more light (LRV 58 vs 31), opening up a space where Pale Green encloses it.