Red violet vs RAL 530-2
Red violet is a RAL Classic color while RAL 530-2 comes from RAL Effect. Hue-wise, Red violet belongs to the pink-purple family and RAL 530-2 to the pink-red family. With LRVs of 12 and 10, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 1.2, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Red violet vs RAL 530-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Red violet on one side and RAL 530-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Red violet comparisons
See how Red violet stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 12, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 12), opening up a space where Red violet encloses it.
A 7-point LRV gap (12 vs 6) makes Red violet the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 12), opening up a space where Red violet encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 12), opening up a space where Red violet encloses it.
At LRV 52 vs 12, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 12), opening up a space where Red violet encloses it.
At LRV 58 vs 12, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 12, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 12), opening up a space where Red violet encloses it.
Red violet reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 12, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 44 vs 12, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 12), opening up a space where Red violet encloses it.
Artichoke reads slightly lighter (LRV 21 vs 12), a gap that shows most in low-lit rooms.
At LRV 66 vs 12, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 12, Shoji White is decisively the brighter choice.
At LRV 83 vs 12, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 68 vs 12, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 12), opening up a space where Red violet encloses it.
Calamine reflects far more light (LRV 68 vs 12), opening up a space where Red violet encloses it.
Treron reflects far more light (LRV 25 vs 12), opening up a space where Red violet encloses it.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 45 vs 12, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 12), opening up a space where Red violet encloses it.
Red violet reads slightly lighter (LRV 12 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 12), opening up a space where Red violet encloses it.