RAL 170-4 vs Gravity
Where RAL 170-4 belongs to RAL Effect's range, Gravity is a Valspar color. Hue-wise, RAL 170-4 belongs to the blue family and Gravity to the grey family. RAL 170-4 (LRV 69) reflects noticeably more light than Gravity (LRV 56), a difference of 13 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 11.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 170-4 vs Gravity in Real Spaces
4 real rooms side by side. Seeing RAL 170-4 and Gravity in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that RAL 170-4 will make the room feel meaningfully brighter than Gravity would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. RAL 170-4 reflects noticeably more light off the walls, making the space read more open than Gravity.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. RAL 170-4 reflects noticeably more light off the walls, making the space read more open than Gravity.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. RAL 170-4 reflects noticeably more light off the walls, making the space read more open than Gravity.
Color Details
RAL 170-4 vs Gravity Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 170-4 on one side and Gravity on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 170-4 comparisons
See how RAL 170-4 stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 69, White Dove is decisively the brighter choice.
RAL 170-4 reflects far more light (LRV 69 vs 52), opening up a space where Purbeck Stone encloses it.
RAL 170-4 reflects far more light (LRV 69 vs 30), opening up a space where Evergreen Fog encloses it.
RAL 170-4 reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
A 12-point LRV gap (69 vs 58) makes RAL 170-4 the marginally brighter of the two.
At LRV 69 vs 27, RAL 170-4 is decisively the brighter choice.
RAL 170-4 reflects far more light (LRV 69 vs 43), opening up a space where French Gray encloses it.
At LRV 69 vs 55, RAL 170-4 is decisively the brighter choice.
At LRV 69 vs 44, RAL 170-4 is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 69), opening up a space where RAL 170-4 encloses it.
A 4-point LRV gap (69 vs 66) makes RAL 170-4 the marginally brighter of the two.
A 5-point LRV gap (74 vs 69) makes Shoji White the marginally brighter of the two.
At LRV 69 vs 12, RAL 170-4 is decisively the brighter choice.
At LRV 69 vs 8, RAL 170-4 is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 69 vs 68), so neither reads brighter in a room.
At LRV 69 vs 12, RAL 170-4 is decisively the brighter choice.
At LRV 69 vs 45, RAL 170-4 is decisively the brighter choice.
RAL 170-4 reflects far more light (LRV 69 vs 31), opening up a space where Pale Green encloses it.