RAL 240-4 vs Agreeable Gray
Where RAL 240-4 belongs to RAL Effect's range, Agreeable Gray is a Sherwin-Williams color. RAL 240-4 reads as beige-yellow, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. Agreeable Gray (LRV 60) reflects noticeably more light than RAL 240-4 (LRV 19), a difference of 42 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 41.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 240-4 vs Agreeable Gray in Real Spaces
3 real rooms side by side. Seeing RAL 240-4 and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than RAL 240-4 would.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 240-4.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 240-4.
Color Details
RAL 240-4 vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 240-4 on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 240-4 comparisons
See how RAL 240-4 stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 19, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where RAL 240-4 encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.
At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 19), opening up a space where RAL 240-4 encloses it.
At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 19, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 19), opening up a space where RAL 240-4 encloses it.
At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 19, Shoji White is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes RAL 240-4 the marginally brighter of the two.
At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes RAL 240-4 the marginally brighter of the two.
At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 19), opening up a space where RAL 240-4 encloses it.
RAL 240-4 reads slightly lighter (LRV 19 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 19), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 19), opening up a space where RAL 240-4 encloses it.
Just Walnut reflects far more light (LRV 72 vs 19), opening up a space where RAL 240-4 encloses it.