RAL 320-1 vs Tarnished Trumpet
RAL 320-1 (RAL Effect) and Tarnished Trumpet (Sherwin-Williams) come from different manufacturers. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. The 5-point LRV gap — 47 for Tarnished Trumpet vs 43 for RAL 320-1 — means Tarnished Trumpet will open up a space more effectively. ΔE 3.8 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 320-1 vs Tarnished Trumpet in Real Spaces
2 real rooms side by side. RAL 320-1 and Tarnished Trumpet are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Tarnished Trumpet has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Tarnished Trumpet has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
RAL 320-1 vs Tarnished Trumpet Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 320-1 on one side and Tarnished Trumpet on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 320-1 comparisons
See how RAL 320-1 stacks up against other well-photographed colors across different brands and tones.
