RAL 340-M vs Blackberry
Where RAL 340-M belongs to RAL Effect's range, Blackberry is a Sherwin-Williams color. These are both pinks, so the question isn't which hue to choose — it's where within pink to land. They have nearly identical light reflectance values (6 vs 5), so they'll read as similarly Dark in most lighting conditions. At ΔE 2.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 340-M vs Blackberry in Real Spaces
2 real rooms side by side. RAL 340-M and Blackberry are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
RAL 340-M vs Blackberry Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 340-M on one side and Blackberry on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 340-M comparisons
See how RAL 340-M stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 6, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 6), opening up a space where RAL 340-M encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 6), opening up a space where RAL 340-M encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 6), opening up a space where RAL 340-M encloses it.
At LRV 58 vs 6, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 6, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 6), opening up a space where RAL 340-M encloses it.
At LRV 55 vs 6, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 6, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 6), opening up a space where RAL 340-M encloses it.
At LRV 66 vs 6, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 6, Shoji White is decisively the brighter choice.
A 6-point LRV gap (12 vs 6) makes Pewter Green the marginally brighter of the two.
At LRV 68 vs 6, Skimming Stone is decisively the brighter choice.
A 6-point LRV gap (12 vs 6) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 6, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 6), opening up a space where RAL 340-M encloses it.
With LRVs of 7 and 6, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 6), opening up a space where RAL 340-M encloses it.
Guilford Green reflects far more light (LRV 57 vs 6), opening up a space where RAL 340-M encloses it.