RAL 470-3 vs Coming Up Roses
RAL 470-3 (RAL Effect) and Coming Up Roses (Sherwin-Williams) come from different manufacturers. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 30 vs 30 — so neither will read significantly brighter or darker than the other. A ΔE of 2.7 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 470-3 vs Coming Up Roses in Real Spaces
5 real rooms side by side. RAL 470-3 and Coming Up Roses are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
RAL 470-3 vs Coming Up Roses Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 470-3 on one side and Coming Up Roses on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 470-3 comparisons
See how RAL 470-3 stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where RAL 470-3 encloses it.
With LRVs of 30 and 30, the two reflect almost the same amount of light.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where RAL 470-3 encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes RAL 470-3 the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where RAL 470-3 encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where RAL 470-3 encloses it.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 30 vs 12, RAL 470-3 is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
At LRV 30 vs 12, RAL 470-3 is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
RAL 470-3 reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
RAL 470-3 reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where RAL 470-3 encloses it.