Adrift vs Shoji White
Both from Sherwin-Williams's palette. Hue-wise, Adrift belongs to the blue family and Shoji White to the beige-greige family. Shoji White (LRV 74) reflects noticeably more light than Adrift (LRV 37), a difference of 37 points that becomes especially apparent in rooms with limited natural light. Adrift runs cool while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 29.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Adrift vs Shoji White in Real Spaces
3 real rooms side by side. Seeing Adrift and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Adrift would.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Shoji White reflects noticeably more light off the walls, making the space read more open than Adrift.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Shoji White reflects noticeably more light off the walls, making the space read more open than Adrift.
Color Details
Adrift vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Adrift on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Adrift comparisons
See how Adrift stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 37, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 37), opening up a space where Adrift encloses it.
Adrift reads slightly lighter (LRV 37 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 37), opening up a space where Adrift encloses it.
At LRV 58 vs 37, Accessible Beige is decisively the brighter choice.
A 10-point LRV gap (37 vs 27) makes Adrift the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 37), a gap that shows most in low-lit rooms.
At LRV 55 vs 37, Tranquil Dawn is decisively the brighter choice.
A 6-point LRV gap (44 vs 37) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 37), opening up a space where Adrift encloses it.
At LRV 66 vs 37, Balboa Mist is decisively the brighter choice.
At LRV 37 vs 12, Adrift is decisively the brighter choice.
At LRV 68 vs 37, Skimming Stone is decisively the brighter choice.
At LRV 37 vs 12, Adrift is decisively the brighter choice.
A 8-point LRV gap (45 vs 37) makes Saybrook Sage the marginally brighter of the two.
Adrift reads slightly lighter (LRV 37 vs 31), a gap that shows most in low-lit rooms.
Adrift reflects far more light (LRV 37 vs 7), opening up a space where Pine Needle encloses it.
Adrift reflects far more light (LRV 37 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 37), opening up a space where Adrift encloses it.
Just Walnut reflects far more light (LRV 72 vs 37), opening up a space where Adrift encloses it.