
Argyle vs Envy
Both from Sherwin-Williams's palette. Both sit in the green family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (20 vs 20), so they'll read as similarly Medium in most lighting conditions. Both lean cool, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 17.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Argyle vs Envy in Real Spaces
5 real rooms side by side. Seeing Argyle and Envy in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Argyle vs Envy Simulated Comparison
5 simulated room previews — drag the slider on each to see Argyle on one side and Envy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Argyle comparisons
See how Argyle stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 20, White Dove is decisively the brighter choice.


Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Argyle encloses it.


Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.


Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Argyle encloses it.


At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.


A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.


French Gray reflects far more light (LRV 43 vs 20), opening up a space where Argyle encloses it.


At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.


At LRV 44 vs 20, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 20), opening up a space where Argyle encloses it.


At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 20, Shoji White is decisively the brighter choice.


A 8-point LRV gap (20 vs 12) makes Argyle the marginally brighter of the two.


At LRV 68 vs 20, Skimming Stone is decisively the brighter choice.


A 8-point LRV gap (20 vs 12) makes Argyle the marginally brighter of the two.


At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.


Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.


Argyle reflects far more light (LRV 20 vs 7), opening up a space where Pine Needle encloses it.


Cement grey reads slightly lighter (LRV 24 vs 20), a gap that shows most in low-lit rooms.


Guilford Green reflects far more light (LRV 57 vs 20), opening up a space where Argyle encloses it.




























