Black Of Night vs Shoji White
Both are Sherwin-Williams colors. Hue-wise, Black Of Night belongs to the blue-grey family and Shoji White to the beige-greige family. At LRV 74 vs 4, Shoji White will read as the brighter of the two — a 71-point gap that matters most in north-facing or low-light rooms. The tonal difference — Black Of Night's neutral character against Shoji White's warm — becomes most visible against white trim or in morning light. At ΔE 67.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Black Of Night vs Shoji White in Real Spaces
6 real rooms side by side. Seeing Black Of Night and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Black Of Night would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Black Of Night would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Black Of Night would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Black Of Night would.
Color Details
Black Of Night vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Black Of Night on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Black Of Night comparisons
See how Black Of Night stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 4, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 4), opening up a space where Black Of Night encloses it.
Their light reflectance is nearly identical (LRV 6 vs 4), so neither reads brighter in a room.
Purbeck Stone reflects far more light (LRV 52 vs 4), opening up a space where Black Of Night encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 4), opening up a space where Black Of Night encloses it.
At LRV 52 vs 4, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 4), opening up a space where Black Of Night encloses it.
At LRV 58 vs 4, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 4, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 4), opening up a space where Black Of Night encloses it.
With LRVs of 4 and 4, the two reflect almost the same amount of light.
At LRV 55 vs 4, Tranquil Dawn is decisively the brighter choice.
A 10-point LRV gap (13 vs 4) makes Bancha the marginally brighter of the two.
At LRV 44 vs 4, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 4), opening up a space where Black Of Night encloses it.
Artichoke reflects far more light (LRV 21 vs 4), opening up a space where Black Of Night encloses it.
At LRV 66 vs 4, Balboa Mist is decisively the brighter choice.
At LRV 83 vs 4, Snowbound is decisively the brighter choice.
A 8-point LRV gap (12 vs 4) makes Pewter Green the marginally brighter of the two.
At LRV 68 vs 4, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 4), opening up a space where Black Of Night encloses it.
Calamine reflects far more light (LRV 68 vs 4), opening up a space where Black Of Night encloses it.
Treron reflects far more light (LRV 25 vs 4), opening up a space where Black Of Night encloses it.
A 8-point LRV gap (12 vs 4) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 4, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 4), opening up a space where Black Of Night encloses it.
Pine Needle reads slightly lighter (LRV 7 vs 4), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 4), opening up a space where Black Of Night encloses it.
Guilford Green reflects far more light (LRV 57 vs 4), opening up a space where Black Of Night encloses it.
Just Walnut reflects far more light (LRV 72 vs 4), opening up a space where Black Of Night encloses it.