Bluesy Note vs Mercurial
Both from Sherwin-Williams's palette. Bluesy Note reads as blue, while Mercurial reads as greige-grey — two distinct hue families, not close cousins. Mercurial (LRV 61) reflects noticeably more light than Bluesy Note (LRV 31), a difference of 30 points that becomes especially apparent in rooms with limited natural light. Bluesy Note runs cool while Mercurial is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 29.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Bluesy Note vs Mercurial Simulated Comparison
5 simulated room previews — drag the slider on each to see Bluesy Note on one side and Mercurial on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Bluesy Note comparisons
See how Bluesy Note stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 31), opening up a space where Bluesy Note encloses it.
At LRV 69 vs 31, Ammonite is decisively the brighter choice.
Bluesy Note reflects far more light (LRV 31 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 31, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 31), opening up a space where Bluesy Note encloses it.
At LRV 60 vs 31, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 31), opening up a space where Bluesy Note encloses it.
Bluesy Note reads slightly lighter (LRV 31 vs 27), a gap that shows most in low-lit rooms.
At LRV 43 vs 31, French Gray is decisively the brighter choice.
At LRV 31 vs 4, Bluesy Note is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 31), opening up a space where Bluesy Note encloses it.
Bluesy Note reflects far more light (LRV 31 vs 13), opening up a space where Bancha encloses it.
Hardwick White reflects far more light (LRV 44 vs 31), opening up a space where Bluesy Note encloses it.
At LRV 84 vs 31, Pure White is decisively the brighter choice.
A 9-point LRV gap (31 vs 21) makes Bluesy Note the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 31), opening up a space where Bluesy Note encloses it.
Shoji White reflects far more light (LRV 74 vs 31), opening up a space where Bluesy Note encloses it.
Snowbound reflects far more light (LRV 83 vs 31), opening up a space where Bluesy Note encloses it.
Bluesy Note reflects far more light (LRV 31 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 31), opening up a space where Bluesy Note encloses it.
A 10-point LRV gap (41 vs 31) makes Dix Blue the marginally brighter of the two.
At LRV 68 vs 31, Calamine is decisively the brighter choice.
A 6-point LRV gap (31 vs 25) makes Bluesy Note the marginally brighter of the two.
Bluesy Note reflects far more light (LRV 31 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 31), opening up a space where Bluesy Note encloses it.
Their light reflectance is nearly identical (LRV 31 vs 31), so neither reads brighter in a room.
At LRV 31 vs 7, Bluesy Note is decisively the brighter choice.
A 7-point LRV gap (31 vs 24) makes Bluesy Note the marginally brighter of the two.
At LRV 57 vs 31, Guilford Green is decisively the brighter choice.