Blustery Sky vs Mount Etna
Both are Sherwin-Williams colors. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. At LRV 22 vs 6, Blustery Sky will read as the brighter of the two — a 16-point gap that matters most in north-facing or low-light rooms. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 24.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Blustery Sky vs Mount Etna in Real Spaces
2 real rooms side by side. Seeing Blustery Sky and Mount Etna in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Blustery Sky returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Blustery Sky will make the room feel meaningfully brighter than Mount Etna would.
Color Details
Blustery Sky vs Mount Etna Simulated Comparison
5 simulated room previews — drag the slider on each to see Blustery Sky on one side and Mount Etna on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Blustery Sky comparisons
See how Blustery Sky stacks up against other well-photographed colors across different brands and tones.
