Breaktime vs Waterscape
Both from Sherwin-Williams's palette. These are both greens, so the question isn't which hue to choose — it's where within green to land. Breaktime (LRV 66) reflects noticeably more light than Waterscape (LRV 62), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean cool, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.6, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Breaktime vs Waterscape in Real Spaces
4 real rooms side by side. Breaktime and Waterscape are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Breaktime gives the walls a little more lift.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Breaktime reads slightly lighter here — a subtle but real difference in how open the space feels.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Breaktime has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Breaktime gives the walls a little more lift.
Color Details
Breaktime vs Waterscape Simulated Comparison
5 simulated room previews — drag the slider on each to see Breaktime on one side and Waterscape on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Breaktime comparisons
See how Breaktime stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 66, White Dove is decisively the brighter choice.
Breaktime reflects far more light (LRV 66 vs 52), opening up a space where Purbeck Stone encloses it.
Breaktime reflects far more light (LRV 66 vs 30), opening up a space where Evergreen Fog encloses it.
Breaktime reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
A 8-point LRV gap (66 vs 58) makes Breaktime the marginally brighter of the two.
At LRV 66 vs 27, Breaktime is decisively the brighter choice.
Breaktime reflects far more light (LRV 66 vs 43), opening up a space where French Gray encloses it.
A 11-point LRV gap (66 vs 55) makes Breaktime the marginally brighter of the two.
At LRV 66 vs 44, Breaktime is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 66), opening up a space where Breaktime encloses it.
Their light reflectance is nearly identical (LRV 66 vs 66), so neither reads brighter in a room.
A 8-point LRV gap (74 vs 66) makes Shoji White the marginally brighter of the two.
At LRV 66 vs 12, Breaktime is decisively the brighter choice.
At LRV 66 vs 8, Breaktime is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
At LRV 66 vs 12, Breaktime is decisively the brighter choice.
At LRV 66 vs 45, Breaktime is decisively the brighter choice.
Breaktime reflects far more light (LRV 66 vs 31), opening up a space where Pale Green encloses it.