Champagne vs Melon Tint
Both from Sherwin-Williams's palette. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. Melon Tint (LRV 82) reflects noticeably more light than Champagne (LRV 78), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.0, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Champagne vs Melon Tint Simulated Comparison
5 simulated room previews — drag the slider on each to see Champagne on one side and Melon Tint on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Champagne comparisons
See how Champagne stacks up against other well-photographed colors across different brands and tones.
