Clay Pot vs Fired Brick
Both from Sherwin-Williams's palette. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Clay Pot (LRV 12) reflects noticeably more light than Fired Brick (LRV 8), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 8.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Clay Pot vs Fired Brick in Real Spaces
3 real rooms side by side. Clay Pot and Fired Brick are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Clay Pot reads slightly lighter here — a subtle but real difference in how open the space feels.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Clay Pot reads slightly lighter here — a subtle but real difference in how open the space feels.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Clay Pot gives the walls a little more lift.
Color Details
Clay Pot vs Fired Brick Simulated Comparison
5 simulated room previews — drag the slider on each to see Clay Pot on one side and Fired Brick on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Clay Pot comparisons
See how Clay Pot stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 12), opening up a space where Clay Pot encloses it.
At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Clay Pot encloses it.
Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Clay Pot encloses it.
At LRV 43 vs 12, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Clay Pot encloses it.
Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Clay Pot encloses it.
At LRV 84 vs 12, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Clay Pot encloses it.
Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Clay Pot encloses it.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Clay Pot encloses it.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Clay Pot encloses it.
At LRV 31 vs 12, Pale Green is decisively the brighter choice.
A 5-point LRV gap (12 vs 7) makes Clay Pot the marginally brighter of the two.
At LRV 24 vs 12, Cement grey is decisively the brighter choice.
At LRV 57 vs 12, Guilford Green is decisively the brighter choice.