Cloud Nine vs Snowbound
Cloud Nine and Snowbound come from the same Sherwin-Williams collection. Hue-wise, Cloud Nine belongs to the white family and Snowbound to the beige-greige family. The 5-point LRV gap — 83 for Snowbound vs 78 for Cloud Nine — means Snowbound will open up a space more effectively. Where Cloud Nine leans neutral, Snowbound reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 3.3 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cloud Nine vs Snowbound in Real Spaces
8 real rooms side by side. Cloud Nine and Snowbound are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Snowbound reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Snowbound has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Snowbound has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Snowbound gives the walls a little more lift.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Snowbound has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Snowbound has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Snowbound has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Snowbound reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Cloud Nine vs Snowbound Simulated Comparison
5 simulated room previews — drag the slider on each to see Cloud Nine on one side and Snowbound on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cloud Nine comparisons
See how Cloud Nine stacks up against other well-photographed colors across different brands and tones.
Cloud Nine reads slightly lighter (LRV 78 vs 69), a gap that shows most in low-lit rooms.
A 5-point LRV gap (83 vs 78) makes White Dove the marginally brighter of the two.
At LRV 78 vs 6, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 52), opening up a space where Purbeck Stone encloses it.
Cloud Nine reflects far more light (LRV 78 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 78 vs 52, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 78 vs 58, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 27, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 43), opening up a space where French Gray encloses it.
Cloud Nine reflects far more light (LRV 78 vs 4), opening up a space where Naval encloses it.
At LRV 78 vs 55, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 13, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 44, Cloud Nine is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 78), a gap that shows most in low-lit rooms.
Cloud Nine reflects far more light (LRV 78 vs 21), opening up a space where Artichoke encloses it.
At LRV 78 vs 66, Cloud Nine is decisively the brighter choice.
A 4-point LRV gap (78 vs 74) makes Cloud Nine the marginally brighter of the two.
Cloud Nine reflects far more light (LRV 78 vs 51), opening up a space where Pigeon encloses it.
At LRV 78 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 8, Cloud Nine is decisively the brighter choice.
A 10-point LRV gap (78 vs 68) makes Cloud Nine the marginally brighter of the two.
Cloud Nine reflects far more light (LRV 78 vs 41), opening up a space where Dix Blue encloses it.
At LRV 78 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 45, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 31), opening up a space where Pale Green encloses it.
Cloud Nine reflects far more light (LRV 78 vs 7), opening up a space where Pine Needle encloses it.