Cloudless vs Gentle Aquamarine paint color comparison

Cloudless vs Gentle Aquamarine

Cloudless and Gentle Aquamarine come from the same Sherwin-Williams collection. These are both blues, so the question isn't which hue to choose — it's where within blue to land. Their light reflectance values are nearly the same — 56 vs 54 — so neither will read significantly brighter or darker than the other. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. ΔE 4.8 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Cloudless vs Gentle Aquamarine in Real Spaces

2 real rooms side by side. Cloudless and Gentle Aquamarine are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.

CloudlessCloudless Wall Paint

@dan_mitt

Gentle AquamarineA hollywood regency living room painted in Gentle Aquamarine

@mybudgetrecipes

Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.

CloudlessSherwin Williams Cloudless Kids' Room

@wendykingsmith

Gentle AquamarineA organic modern bedroom painted in Gentle Aquamarine

@mybudgetrecipes

Color Details

Cloudless
Sherwin-Williams · 6786
Hex#8FD0DD
LRV56.1
BrandSherwin-Williams
Number6786
Undertone
TemperatureCool
BrightnessLight
Gentle Aquamarine
Sherwin-Williams · 9046
Hex#97CBD2
LRV54.0
BrandSherwin-Williams
Number9046
Undertone
TemperatureCool
BrightnessMedium

Cloudless vs Gentle Aquamarine Simulated Comparison

5 simulated room previews — drag the slider on each to see Cloudless on one side and Gentle Aquamarine on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Cloudless comparisons

See how Cloudless stacks up against other well-photographed colors across different brands and tones.

White Dove
Cloudless
White Dove
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 83 vs 56, White Dove is decisively the brighter choice.

Ammonite
Cloudless
Ammonite
Cloudless
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Cloudless
6786 · LRV 56

Ammonite reflects far more light (LRV 69 vs 56), opening up a space where Cloudless encloses it.

Cloudless
Iron Ore
Cloudless
Iron Ore
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 6, Cloudless is decisively the brighter choice.

Purbeck Stone
Cloudless
Purbeck Stone
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.

Cloudless
Evergreen Fog
Cloudless
Evergreen Fog
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Cloudless
Mizzle
Cloudless
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Cloudless
6786 · LRV 56

A 5-point LRV gap (56 vs 52) makes Cloudless the marginally brighter of the two.

Agreeable Gray
Cloudless
Agreeable Gray
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Agreeable Gray reads slightly lighter (LRV 60 vs 56), a gap that shows most in low-lit rooms.

Accessible Beige
Cloudless
Accessible Beige
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Their light reflectance is nearly identical (LRV 58 vs 56), so neither reads brighter in a room.

Denim Drift
Cloudless
Denim Drift
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 27, Cloudless is decisively the brighter choice.

French Gray
Cloudless
French Gray
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 43), opening up a space where French Gray encloses it.

Cloudless
Naval
Cloudless
Naval
Sherwin-Williams
Cloudless
6786 · LRV 56
Sherwin-Williams
Naval
LRV 4

Cloudless reflects far more light (LRV 56 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Cloudless
Tranquil Dawn
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Their light reflectance is nearly identical (LRV 56 vs 55), so neither reads brighter in a room.

Bancha
Cloudless
Bancha
Cloudless
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 13, Cloudless is decisively the brighter choice.

Hardwick White
Cloudless
Hardwick White
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 44, Cloudless is decisively the brighter choice.

Cloudless
Pure White
Cloudless
Pure White
Sherwin-Williams
Cloudless
6786 · LRV 56

Pure White reflects far more light (LRV 84 vs 56), opening up a space where Cloudless encloses it.

Artichoke
Cloudless
Artichoke
Cloudless
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Cloudless
Balboa Mist
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

A 9-point LRV gap (66 vs 56) makes Balboa Mist the marginally brighter of the two.

Cloudless
Shoji White
Cloudless
Shoji White
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 74 vs 56, Shoji White is decisively the brighter choice.

Cloudless
Snowbound
Cloudless
Snowbound
Sherwin-Williams
Cloudless
6786 · LRV 56
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 56, Snowbound is decisively the brighter choice.

Cloudless
Pewter Green
Cloudless
Pewter Green
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 12, Cloudless is decisively the brighter choice.

Skimming Stone
Cloudless
Skimming Stone
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

A 12-point LRV gap (68 vs 56) makes Skimming Stone the marginally brighter of the two.

Dix Blue
Cloudless
Dix Blue
Cloudless
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Cloudless
Calamine
Cloudless
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Cloudless
6786 · LRV 56

Calamine reads slightly lighter (LRV 68 vs 56), a gap that shows most in low-lit rooms.

Treron
Cloudless
Treron
Cloudless
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Cloudless
Vintage Vogue
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

At LRV 56 vs 12, Cloudless is decisively the brighter choice.

Saybrook Sage
Cloudless
Saybrook Sage
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

A 11-point LRV gap (56 vs 45) makes Cloudless the marginally brighter of the two.

Pale Green
Cloudless
Pale Green
Cloudless
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Cloudless
Pine Needle
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Cloudless
Cement grey
Cloudless
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Cloudless
6786 · LRV 56

Cloudless reflects far more light (LRV 56 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Cloudless
Guilford Green
Cloudless
Sherwin-Williams
Cloudless
6786 · LRV 56

With LRVs of 57 and 56, the two reflect almost the same amount of light.