Coming Up Roses vs Evergreen Fog
Both from Sherwin-Williams's palette. Hue-wise, Coming Up Roses belongs to the pink-red family and Evergreen Fog to the green-grey family. They have nearly identical light reflectance values (30 vs 30), so they'll read as similarly Medium in most lighting conditions. Coming Up Roses runs warm while Evergreen Fog is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 44.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Coming Up Roses vs Evergreen Fog in Real Spaces
7 real rooms side by side. Seeing Coming Up Roses and Evergreen Fog in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The temperature contrast between Coming Up Roses and Evergreen Fog is what sets these apart most in this context.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Coming Up Roses brings more warmth to the space, while Evergreen Fog keeps things cooler and crisper.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Coming Up Roses brings more warmth to the space, while Evergreen Fog keeps things cooler and crisper.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Coming Up Roses brings more warmth to the space, while Evergreen Fog keeps things cooler and crisper.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Coming Up Roses brings more warmth to the space, while Evergreen Fog keeps things cooler and crisper.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Coming Up Roses brings more warmth to the space, while Evergreen Fog keeps things cooler and crisper.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The temperature contrast between Coming Up Roses and Evergreen Fog is what sets these apart most in this context.
Color Details
Coming Up Roses vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Coming Up Roses on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Coming Up Roses comparisons
See how Coming Up Roses stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 30 vs 6, Coming Up Roses is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 52 vs 30, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes Coming Up Roses the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reflects far more light (LRV 30 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 30 vs 13, Coming Up Roses is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 83 vs 30, Snowbound is decisively the brighter choice.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 30), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
Coming Up Roses reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where Coming Up Roses encloses it.
Just Walnut reflects far more light (LRV 72 vs 30), opening up a space where Coming Up Roses encloses it.