Commodore vs Frank Blue
Both from Sherwin-Williams's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (6 vs 8), so they'll read as similarly Dark in most lighting conditions. Both lean cool, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 12.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Commodore vs Frank Blue in Real Spaces
3 real rooms side by side. Seeing Commodore and Frank Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Commodore vs Frank Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Commodore on one side and Frank Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Commodore comparisons
See how Commodore stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 6), opening up a space where Commodore encloses it.
At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where Commodore encloses it.
Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where Commodore encloses it.
At LRV 43 vs 6, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where Commodore encloses it.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where Commodore encloses it.
At LRV 84 vs 6, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where Commodore encloses it.
Shoji White reflects far more light (LRV 74 vs 6), opening up a space where Commodore encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where Commodore encloses it.
Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where Commodore encloses it.
At LRV 31 vs 6, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 7 vs 6), so neither reads brighter in a room.
At LRV 24 vs 6, Cement grey is decisively the brighter choice.
At LRV 57 vs 6, Guilford Green is decisively the brighter choice.